Based on 9 reviews from outlets we track. Scores run 50 to 80.
By the numbers: 2 of 9 critics liked it.
| The gist | |||
|---|---|---|---|
| NME via Wikipediaby Martin Robinson | 8/10 | 80 | “Facts about this album: Empire Of The Sun refer to their fans as ‘Empyreans’. As well as his day job in Pnau, Nick Littlemore of Empire Of The Sun used…” |
| The Independent via Wikipediaby Andy Gill | 4/5 | 80 | |
| Pitchfork via Wikipediaby Mike Orme | 6.4/10 | 64 | “The first full-length collaboration from Australians Luke Steele of the Sleepy Jackson and Nick Littlemore of Pnau works on a grand scale as it moves between streamlined psychedelia and flamboyant…” |
| Rolling Stone via Wikipediaby Christian Hoard | 3/5 | 60 | |
| Blender via Wikipediaby Tyler Gray | 3/5 | 60 | “The authority on kitchen blender appliance for the home or business, providing expert blender reviews to help consumers make the best buying decision.” |
| The Guardian via Wikipediaby Dorian Lynskey | 3/5 | 60 | “A ripe cheese, best not consumed whole” |
| musicOMH via Wikipediaby Michael Cragg | 3/5 | 60 | “It doesn't take a degree in semiotics to work out what's going on with the cover art to Empire Of The Sun's debut Walking On A Dream. Otherworldly and” |
| AllMusic via Wikipediaby Andrew Leahey | 3/5 | 60 | |
| PopMatters via Wikipediaby Tyler Fisher | 5/10 | 50 |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
More from Empire of the Sun
More Indie & Alternative from around 2008
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.





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