Big Fish Theory

Vince Staples – Big Fish Theory: B-Side Breakdown 86 (B) from 8 critic reviews.

Album cover for Big Fish Theory by Vince Staples
Released June 23, 2017
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Vince Staples

Big Fish Theory

86
B-Side BreakdownGrade B · 8 critics · 88% approval
B-Side Breakdown86Grade: B
Approval88%7 of 8 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 18 points of each other

Critics give Big Fish Theory a B-Side Breakdown of 86 (B), from 8 reviews at outlets we track. Scores run 70 to 100.

By the numbers: The best-reviewed album of Vince Staples's career on B-Side Breakdowns, ahead of Summertime ’06 (85). The seventh best-reviewed album of 2017 we've tracked.

020406080100Rolling Stone: 70Q: 80The Guardian: 80Pitchfork: 87AllMusic: 90The A.V. Club: 91Entertainment Weekly: 91NME: 100 Breakdown 86
The gist
NME via Wikipediaby Joe Madden 5/5 100 2017 “California’s other philosophical rap provocateur, Vince Staples drops a game-changer on 'Big Fish Theory'.”
The A.V. Club via Wikipediaby Saloni Gajjar A- 91 2022 “The A.V. Club digs deep into film, TV, music, games, books and more.”
Entertainment Weekly via Wikipediaby Eric Renner Brown A- 91
AllMusic via Wikipediaby Neil Z. Yeung 4.5/5 90
Pitchfork via Wikipediaby Sheldon Pearce 8.7/10 87 2017 “On his second album, Vince Staples teams with producers like SOPHIE, Jimmy Edgar, and Flume on a collection of sleek club-rap bangers. But his eye for detail and observational skills…”
Q via Wikipediaby Rupert Howe 4/5 80 2017
The Guardian via Wikipediaby Kate Hutchinson 4/5 80 2017
Rolling Stone via Wikipediaby Christopher R. Weingarten 3.5/5 70 2017 “Our take on the second full-length LP from the Long Beach rapper.”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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