Whokill

Tune-Yards – Whokill: B-Side Breakdown 80 (Keeper) from 9 critic reviews.

Album cover for Whokill by Tune-Yards
Released April 18, 2011
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Tune-Yards

Whokill

80
B-Side BreakdownKeeper · 9 critics · 100% approval
B-Side Breakdown80Keeper
Approval100%9 of 9 critics scored it 70 or higher
DivisivenessUnanimousHow close the scores are: most critics land within 10 points of each other

Critics give Whokill a B-Side Breakdown of 80 (Keeper), from 9 reviews at outlets we track. Scores run 70 to 88.

The verdict on Whokill

9 of 9 critics liked it, and they mostly agree.

  • Highest 88 Pitchfork and Chicago Tribune
  • Lowest 70 Rolling Stone
  • By the numbers The best-reviewed album of Tune-Yards's career on B-Side Breakdowns, ahead of I Can Feel You Creep Into My Private Life (76).
020406080100Rolling Stone: 70The A.V. Club: 75Spin: 80Q: 80NME: 80The Guardian: 80AllMusic: 80Pitchfork: 88Chicago Tribune: 88 Breakdown 80
The gist
Pitchfork via Wikipediaby Matthew Perpetua 8.8/10 88 2011 “Upping the ante from her 2009 debut, Merrill Garbus fuses acoustic folk, R&B, funk, Afro-pop, and rock into a bold, uncompromising hybrid all her own.”
Chicago Tribune via Wikipediaby Chris Jones 3.5/4 88 2011
Spin via Wikipediaby Marc Hogan 8/10 80 2011 “I am not beautiful," Merrill Garbus hollers near the end of 2008's BiRd-BrAiNs, her no-fi pop-folk debut as tUnE-yArDs. Jury-rigged from ukulele, field”
Q via Wikipedia 4/5 80 2011
NME via Wikipediaby Tim Chester 8/10 80 2011 “Progress is a funny thing. It’s traditional for indie bands to follow their first colourless albums with one slate-grey record after another, only this time around sounding much bigger and…”
The Guardian via Wikipediaby Maddy Costa 4/5 80 2011 “The captivating vocal looper has made an exhilarating second album, says Maddy Costa”
AllMusic via Wikipediaby Heather Phares 4/5 80
The A.V. Club via Wikipediaby Scott Gordon B+ 75 2011
Rolling Stone via Wikipediaby Jody Rosen 3.5/5 70 2011 “Check out our album review of Artist's WhoKill on Rolling Stone.com.”

More from Tune-Yards

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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