I Am Easy to Find

The National – I Am Easy to Find: B-Side Breakdown 76 (C) from 8 critic reviews.

Album cover for I Am Easy to Find by The National
Released May 17, 2019
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The National

I Am Easy to Find

76
B-Side BreakdownGrade C · 8 critics · 75% approval
B-Side Breakdown76Grade: C
Approval75%6 of 8 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 14 points of each other

Critics give I Am Easy to Find a B-Side Breakdown of 76 (C), from 8 reviews at outlets we track. Scores run 60 to 80.

By the numbers: 6 of 8 critics liked it.

020406080100The Independent: 60AllMusic: 70Pitchfork: 76Rolling Stone: 80Q: 80Mojo: 80NME: 80The Guardian: 80 Breakdown 76
The gist
Rolling Stone via Wikipediaby Will Hermes 4/5 80 2019 “Indie-rock standard-bearers the National pivot to collectivist art-making with 70-plus musicians and a host of women's voices.”
Q via Wikipediaby Laura Barton 4/5 80 2019
Mojo via Wikipediaby Tom Doyle 4/5 80 2019
NME via Wikipediaby Andrew Trendell 4/5 80 2019 “The NME review of The National's eighth album 'I Am Easy To Find', made in conjunction with a film of the same name by Mike Mills.”
The Guardian via Wikipediaby Michael Hann 4/5 80 2019 “The band’s eighth album hymns other artists including REM on understated songs full of trademark emotional intensity”
Pitchfork via Wikipediaby Evan Rytlewski 7.6/10 76 2019 “With a cast of female vocalists guiding and redirecting the songs, the National’s eighth album is their largest, longest, and most daring.”
AllMusic via Wikipediaby Stephen Thomas Erlewine 3.5/5 70
The Independent via Wikipediaby Jazz Monroe 3/5 60 2019 “The band’s eighth album feels like an old friend you’re pleased to keep around, but it suffers from spiritual jet lag”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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