Give

The Bad Plus – Give: B-Side Breakdown 70 (Keeper) from 4 critic reviews.

Album cover for Give by The Bad Plus
Released March 9, 2004
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The Bad Plus

Give

70
B-Side BreakdownKeeper · 4 critics · 50% approval
B-Side Breakdown70Keeper
Approval50%2 of 4 critics scored it 70 or higher
DivisivenessSome debateHow close the scores are: most critics land within 24 points of each other

Early reviews. Critics give Give an early B-Side Breakdown of 70 (Keeper), from 4 reviews so far. It will settle as more outlets weigh in.

The verdict on Give

So far, 2 of 4 critics liked it.

020406080100Pitchfork: 56AllMusic: 60Rolling Stone: 80Robert Christgau: 85 Breakdown 70
The gist
Robert Christgau via Wikipediaby Tom Hull A- 85 2004
Rolling Stone via Wikipediaby Fricke David 4/5 80 2004
AllMusic via Wikipediaby Collar Matt 3/5 60 2005
Pitchfork via Wikipediaby Sam Ubl 5.6/10 56 2004 “I first heard The Bad Plus' breakthrough major label debut, These Are the Vistas, before readingn Stuart Nicholson's …”

Give in The Bad Plus's catalog

70These Are the Vistas (2003): 7979Give (2004): 7070This oneSuspicious Activity? (2005): 6767The Bad Plus Joshua Redman (2015): 808020032015
The Bad Plus's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every The Bad Plus album, ranked

How these critics usually treat The Bad Plus

  • AllMusic Harsher than usual14 points below the other critics here. Usually 7 points above on The Bad Plus's other albums (3).

More from The Bad Plus

See all The Bad Plus albums ranked

More Jazz from around 2004

Would you spin it again?

Be the first to answer. Results show once 3 listeners weigh in.

How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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