Based on 11 reviews from outlets we track. Scores run 40 to 88.
By the numbers: Scores ran from 40 (Spectrum Culture) to 88 (Los Angeles Times).
| The gist | ||||
|---|---|---|---|---|
| Los Angeles Times via Wikipediaby Jeff Weiss | 3.5/4 | 88 | 2010 | “This article was originally on a blog post platform and may be missing photos, graphics or links.” |
| Entertainment Weekly via Wikipediaby Simon Vozick-Levinson | B+ | 88 | ||
| The A.V. Club via Wikipediaby Nathan Rabin | B | 85 | 2010 | |
| Pitchfork via Wikipediaby Ian Cohen | 8.0/10 | 80 | 2010 | “His first two records were lousy, but Rick Ross has found his niche by presiding over a luxurious rap fantasy out of step with the current moment.” |
| Spinby Ben Detrick | 8/10 | 80 | 2010 | “8SPIN Rating: 8 of 10Release Date: July 20, 2010Label: Def JamRick Ross has been generous with descriptions of material rewards ("Hustlin'"), but stingy” |
| AllMusic via Wikipediaby David Jeffries | 4/5 | 80 | ||
| Rolling Stone via Wikipediaby Jody Rosen | 3.5/5 | 70 | 2010 | “Check out our album review of Artist's Teflon Don on Rolling Stone.com.” |
| PopMatters | 7/10 | 70 | “It wasn’t easy for Ross to make it even to where he is now. Sounding somewhat like a cigar-smoking Kermit, his flow is more chunky than smooth and his topical” | |
| Beats Per Minute | 60% | 60 | “Music News, Reviews, Interviews, Videos and MP3s” | |
| Slant | 2.5/5 | 50 | “Rick Ross’s work too often comes off as a conspicuous mishandling of both assets and signifiers.” | |
| Spectrum Culture | 2.0/5 | 40 | “Not unlike Ice Cube with Halloween and Jay-Z with autumn, Rick Ross has become the rapper whom, every July, comes through with the soundtrack of the season. Since breaking out…” |
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.










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