11:11

Rodrigo y Gabriela – 11:11: B-Side Breakdown 73 (C) from 9 critic reviews.

Album cover for 11:11 by Rodrigo y Gabriela
Released September 6, 2009
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Rodrigo y Gabriela

11:11

73
B-Side BreakdownGrade C · 9 critics · 56% approval
B-Side Breakdown73Grade: C
Approval56%5 of 9 critics scored it 75 or higher
DivisivenessSome debateHow close the scores are: most critics land within 24 points of each other

Critics give 11:11 a B-Side Breakdown of 73 (C), from 9 reviews at outlets we track. Scores run 50 to 90.

By the numbers: Rodrigo y Gabriela's best-reviewed album here since Rodrigo y Gabriela (2006). Scores ran from 50 (Spin) to 90 (AllMusic).

020406080100Spin: 50Under the Radar: 60musicOMH: 70NME: 70Q: 80The Guardian: 80Mojo: 80Paste: 81AllMusic: 90 Breakdown 73
The gist
AllMusic via Wikipediaby Thom Jurek 4.5/5 90
Paste via Wikipediaby Jeff Leven 8.1/10 81 2009 “Paste Magazine is your source for the best music, movies, TV, comedy, videogames, books, comics, craft beer, politics and more. Discover your favorite albums and films.”
Q via Wikipedia 4/5 80 2009
The Guardian via Wikipediaby Robin Denselow 4/5 80 2009 “All tracks feature remarkable interplay between the two guitarists, says Robin Denselow”
Mojo via Wikipedia 4/5 80 2009
musicOMH via Wikipediaby Miles Banrs 3.5/5 70
NME via Wikipediaby Emily Mackay 7/10 70 2009 “It’s not often you get flamenco duos in NME; let alone flamenco duos who have opened the main stage of V Festival and covered [a]Led Zeppelin[/a] and [a]Metallica[/a] on their…”
Under the Radar via Wikipediaby Pasquale Iannone 6/10 60 “Rodrigo y Gabriela: 11:11 (Rubyworks)”
Spin via Wikipediaby Chuck Eddy 2.5/5 50 2009 “These Mexico-born, Dublin-based acoustic buskers made their name by flamenco-fying Metallica and Zeppelin songs, and their latest set was mixed by old”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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