Critics give Red Gone Wild: Thee Album a B-Side Breakdown of 76 (Keeper), from 8 reviews at outlets we track. Scores run 55 to 100.
The verdict on Red Gone Wild: Thee Album
Most critics liked it: 6 of 8 liked it.
- Outlier 100 Los Angeles Times, 20 points above the next-highest score
- Lowest 55 Pitchfork
- Career #5 of Redman's 7 albums with a Breakdown
- By the numbers Redman's best-reviewed album here since Doc’s da Name 2000 (1998).
| The gist | ||||
|---|---|---|---|---|
| Los Angeles Times via Wikipediaby Serena Kim;Randy Lewis | 4/4 | 100 | 2007 | “Redman rebounds to the top of his game; Tim McGraw, MIMS mostly echo greatness.” |
| RapReviews via Wikipediaby Arthur Gailes | 8/10 | 80 | 2007 | |
| HipHopDX via Wikipedia | 4/5 | 80 | 2007 | “Get your hip hop album reviews, rap and R&B reviews from the best music review website on the web. We have all the latest music reviews from today’s top artists.” |
| AllMusic via Wikipediaby David Jeffries | 4/5 | 80 | 2005 | |
| Entertainment Weekly via Wikipediaby Simon Vozick-Levinson | B+ | 75 | 2007 | |
| PopMatters via Wikipediaby Quentin B. Huff | 7/10 | 70 | 2007 | “Redman's sixth LP, Red Gone Wild: Thee Album, fascinates me but probably not for the reasons you'd expect.” |
| Stylus Magazine via Wikipediaby Ian Cohen | B | 65 | 2007 | |
| Pitchfork via Wikipediaby Tom Breihan | 5.5/10 | 55 | 2007 | “The id-driven hip-hop vet's long-delayed follow up to 2001's disappointing Malpractice finds him continuing to work with old friends like Method Man, Erick Sermon, and Biz Markie.” |
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Red Gone Wild: Thee Album in Redman's catalog
How these critics usually treat Redman
- AllMusic Kinder than usual5 points above the other critics here. Usually 9 points below on Redman's other albums (5).
- RapReviews Harsher than usual5 points above the other critics here. Usually 13 points above on Redman's other albums (6).
More from Redman
More Hip-Hop & Rap from around 2007
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.









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