Chris

Rahim Redcar – Chris: B-Side Breakdown 91 (A-) from 9 critic reviews.

Album cover for Chris by Rahim Redcar
Released September 21, 2018
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Rahim Redcar

Chris

91 A-Side: the critics' top tier
B-Side BreakdownGrade A- · 9 critics · 100% approval
B-Side Breakdown91Grade: A-
Approval100%9 of 9 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 18 points of each other

Based on 9 reviews from outlets we track. Scores run 79 to 100.

By the numbers: The best-reviewed album of 2018 we've tracked. All 9 critics liked it, and the lowest score was 79, from Pitchfork.

020406080100Pitchfork: 79Q: 80Rolling Stone: 80AllMusic: 90The A.V. Club: 91NME: 100The Guardian: 100The Independent: 100The Telegraph: 100 Breakdown 91
The gist
NME via Wikipediaby El Hunt 5/5 100 2018 “This is a deft and mind-bogglingly intelligent record – a subversive pop masterpiece – that somehow sounds effortless, too”
The Guardian via Wikipediaby Alexis Petridis 5/5 100 2018 “A swaggering masculine alter-ego delivers Letissier’s punchy statement of intent, wrapping themes from gender fluidity to female agency in heady electronic pop”
The Independent via Wikipediaby Helen Brown 5/5 100 2018 “On her second album, Héloïse Letissier expresses a strength, intelligence and sensuality that transcends gender”
The Telegraph via Wikipediaby Neil McCormick 5/5 100
The A.V. Club via Wikipediaby Annie Zaleski A- 91 2018 “Christine And The Queens’ swaggering Chris revels in fluid identities”
AllMusic via Wikipediaby Heather Phares 4.5/5 90
Q via Wikipediaby Rachel Aroesti 4/5 80 2018
Rolling Stone via Wikipediaby Will Hermes 4/5 80 2018 “Hélöise Letissier creates a polyglot pop that transcends gender, international borders and musical categories.”
Pitchfork via Wikipediaby Jamieson Cox 7.9/10 79 2018

More Pop from around 2018

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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