Passion, Pain & Demon Slayin’

Kid Cudi – Passion, Pain & Demon Slayin’: B-Side Breakdown 73 (C) from 7 critic reviews.

Album cover for Passion, Pain & Demon Slayin’ by Kid Cudi
Released December 16, 2016
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Kid Cudi

Passion, Pain & Demon Slayin’

73
B-Side BreakdownGrade C · 7 critics · 57% approval
B-Side Breakdown73Grade: C
Approval57%4 of 7 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 14 points of each other

Early reviews. Based on 7 critics so far. The Breakdown will settle as more outlets weigh in.

By the numbers: Kid Cudi's best-reviewed album here since Man on the Moon: The End of Day (2009).

020406080100PopMatters: 60Pitchfork: 67Drowned in Sound: 70HipHopDX: 76Consequence: 78Exclaim!: 80AllMusic: 80 Breakdown 73
The gist
Exclaim! via Wikipediaby Anya Zoledziowski 8/10 80 2016
AllMusic via Wikipediaby Neil Yeung 4/5 80
Consequence via Wikipediaby Karas Lamb C+ 78 2016
HipHopDX via Wikipediaby Alex Bell 3.8/5 76 “Get your hip hop album reviews, rap and R&B reviews from the best music review website on the web. We have all the latest music reviews from today’s top artists.”
Drowned in Sound via Wikipediaby Kellan Miller 7/10 70 2017
Pitchfork via Wikipediaby Matthew Strauss 6.7/10 67 2016 “Scott Mescudi’s latest tome, the 87-minute Passion, Pain & Demon Slayin’, is the most focused he’s sounded since 2010’s Man on the Moon II, with the same drawbacks that have…”
PopMatters via Wikipediaby Tanner Smith 6/10 60 2017 “While it’s now old hat for new musicians to reach prominence out of nowhere, the ascent of Scott Mescudi, better known as Kid Cudi, is still legendary. His”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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