No Tourists

The Prodigy – No Tourists: B-Side Breakdown 64 (D) from 10 critic reviews.

Album cover for No Tourists by The Prodigy
Released November 2, 2018
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The Prodigy

No Tourists

64
B-Side BreakdownGrade D · 10 critics · 20% approval
B-Side Breakdown64Grade: D
Approval20%2 of 10 critics scored it 75 or higher
DivisivenessDividedHow close the scores are: most critics land within 34 points of each other

Based on 10 reviews from outlets we track. Scores run 40 to 100.

By the numbers: Scores ran from 40 (musicOMH) to 100 (NME). The Prodigy's best-reviewed album here since The Day Is My Enemy (2015).

020406080100Q: 40musicOMH: 40Mojo: 60AllMusic: 60The Guardian: 60Pitchfork: 62Uncut: 70PopMatters: 70XS Noize: 80NME: 100 Breakdown 64
The gist
NME via Wikipediaby Jordan Bassett 5/5 100 2019 “The Essex ravers’ brilliant seventh album takes various touchstones from their 28-year career and gleefully beats you over the head with them”
XS Noize 8/10 80 “I wasn't expecting much from the new album by The Prodigy. Ever since the Essex group revolutionised both dance music and rock with their seminal 1997 album”
Uncut via Wikipediaby Johnny Sharp 7/10 70 2018
PopMatters 7/10 70 “Mainstream success never seemed to sit especially well with the Prodigy main man Liam Howlett. After emerging with the rave classic Experience, solidifying”
Pitchfork 6.2/10 62 “On their seventh studio album, the UK rave veterans help themselves liberally to sounds and ideas from their back catalog while punching up the production to ultra-modern standards.”
Mojo via Wikipediaby Ben Thompson 3/5 60
AllMusic via Wikipediaby Neil Z. Yeung 3/5 60
The Guardian via Wikipediaby Dave Simpson 3/5 60 2018 “Maxim Reality and Keith Flint keep shouting through Liam Howlett’s earth-shaking sub bass, but some of the slogans sound empty”
Q via Wikipediaby Rupert Howe 2/5 40
musicOMH 2/5 40 “As British sitcom Peep Show lives on to entertain a new generation of teenagers, it’s worth recalling Jeremy and Super Hans’ love of big beat – did Keith”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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