Monuments to an Elegy

The Smashing Pumpkins – Monuments to an Elegy: B-Side Breakdown 71 (C-) from 11 critic reviews.

Album cover for Monuments to an Elegy by The Smashing Pumpkins
Released December 5, 2014
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The Smashing Pumpkins

Monuments to an Elegy

71
B-Side BreakdownGrade C- · 11 critics · 45% approval
B-Side Breakdown71Grade: C-
Approval45%5 of 11 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 18 points of each other

Based on 11 reviews from outlets we track. Scores run 60 to 81.

By the numbers: 5 of 11 critics liked it.

020406080100Spectrum Culture: 60Pitchfork: 60Rolling Stone: 60The Guardian: 60musicOMH: 70NME: 70Chicago Tribune: 75Uncut: 80Louder: 80AllMusic: 80Consequence: 81 Breakdown 71
The gist
Consequence via Wikipediaby Michael Roffman B- 81
Uncut via Wikipedia 8/10 80
Louder via Wikipediaby Mark Beaumont 8/10 80
AllMusic via Wikipediaby Tom Erlewine 4/5 80
Chicago Tribune via Wikipediaby Greg Kot 3/4 75
musicOMHby Sam Shepherd 3.5/5 70 2014 “Truth be told, the name The Smashing Pumpkins should probably be retired at this point. The band that made all those '90s classics (Gish, Siamese Dream,”
NME via Wikipediaby Kevin EG Perry 7/10 70 “There’s been a sense of diminishing return about the records Smashing Pumpkins have released since Billy Corgan resurrected them seven years ago. They’re now the Pumpkins in name alone. Guitarist…”
Spectrum Cultureby Josh Goller 3.0/5 60 2014 “[xrr rating=3.0/5]In the run-up to the new Smashing Pumpkins album, Billy Corgan has been squashing old beefs and carving out new ones. The bald-pated alt-rocker may have recently made nice…”
Pitchfork via Wikipediaby Ian Cohen 6.0/10 60 “Monuments to an Elegy, Smashing Pumpkins’ ninth studio album and the second in the band's Teargarden by Kaleidyscope cycle, is Billy Corgan’s first savvy artistic move in nearly 15 years:…”
Rolling Stone via Wikipediaby Kory Grow 3/5 60
The Guardian via Wikipediaby Dave Simpson 3/5 60

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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