Low in High School

Morrissey – Low in High School: B-Side Breakdown 64 (D) from 8 critic reviews.

Album cover for Low in High School by Morrissey
Released November 17, 2017
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Morrissey

Low in High School

64
B-Side BreakdownGrade D · 8 critics · 25% approval
B-Side Breakdown64Grade: D
Approval25%2 of 8 critics scored it 75 or higher
DivisivenessSome debateHow close the scores are: most critics land within 26 points of each other

Based on 8 reviews from outlets we track. Scores run 40 to 85.

By the numbers: Scores ran from 40 (NME) to 85 (The A.V. Club).

020406080100NME: 40Pitchfork: 57The Guardian: 60Mojo: 60AllMusic: 60Rolling Stone: 70The Telegraph: 80The A.V. Club: 85 Breakdown 64
The gist
The A.V. Club via Wikipediaby Josh Modell B 85 2017 “Morrissey still has some fight left in him on Low In High School”
The Telegraph via Wikipediaby Neil McCormick 4/5 80
Rolling Stone via Wikipediaby Will Hermes 3.5/5 70 2017 “Rolling Stone reviews veteran songwriter Morrissey's 11th album 'Low in High School'.”
The Guardian via Wikipediaby Alexis Petridis 3/5 60 2017 “Some brilliant lines gleam through the noise on Morrissey’s 11th album, but others – about war and Israel – are sneering and reactionary”
Mojo via Wikipedia 3/5 60 2017
AllMusic via Wikipediaby Stephen Thomas Erlewine 3/5 60
Pitchfork via Wikipediaby Sam Sodomsky 5.7/10 57 2017 “Though the music is often engaging and exciting, Low in High School is Morrissey’s second consecutive release that feels regrettably tethered to his increasingly alienating public persona.”
NME via Wikipediaby Jordan Bassett 2/5 40 2017 “Moz’s strange 11th solo album starts off well enough, but soon goes seriously wrong. Read NME's verdict on 'Low In Hight School”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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