Critics give A Creature I Don’t Know a B-Side Breakdown of 80 (B-), from 13 reviews at outlets we track. Scores run 70 to 100.
The verdict on A Creature I Don’t Know
11 of 13 critics liked it, and they mostly agree.
- Highest 100 The Telegraph
- Lowest 70 Spin and AllMusic
- Career #2 of Laura Marling's 3 albums with a Breakdown
- By the numbers The second best-reviewed Folk, Country & Americana album of 2011 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| The Telegraph via Wikipediaby Helen Brown | 5/5 | 100 | 2011 | |
| musicOMHby John Murphy | 4.5/5 | 90 | 2011 | “She's just 21 years old, she's on her third album, has garnered two Mercury Music Prize nominations, released an EP produced by Jack White, sold out her” |
| Q via Wikipediaby Keith Cameron | 4/5 | 80 | 2011 | |
| Uncut via Wikipediaby Graeme Thomson | 4/5 | 80 | 2011 | |
| Mojo via Wikipedia | 4/5 | 80 | 2011 | |
| NME via Wikipediaby Preya Elan | 8/10 | 80 | 2011 | “In fairytales there are demons whose innate darkness contrasts with the hero’s innocent, wide-eyed exterior. In real life, though, these dualities exist in the same being: the hero finds bits…” |
| The Independent via Wikipediaby Andy Gill | 4/5 | 80 | 2011 | |
| The Guardian via Wikipediaby Maddy Costa | 4/5 | 80 | 2011 | “Album No 3, and Laura Marling keeps on producing marvels. Maddy Costa listens in” |
| PopMatters | 8/10 | 80 | 2011 | “The first time you hear Laura Marling, it’s hard to believe how young she is. A folksinger/songwriter in the tradition of Joni Mitchell and Fairport” |
| Beats Per Minuteby Ray Finlayson | 80% | 80 | 2011 | “Music News, Reviews, Interviews, Videos and MP3s” |
| Pitchfork via Wikipediaby Joshua Love | 7.6/10 | 76 | 2011 | “On her third album, the British singer-songwriter proves to be an artist deeply invested in archetypes, one who doesn't muck about with the details of 21st-century life in her explorations…” |
| Spin via Wikipediaby Garrett Kamps | 7/10 | 70 | 2011 | |
| AllMusic via Wikipediaby James Christopher Monger | 3.5/5 | 70 |
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More from Laura Marling
More Folk, Country & Americana from around 2011
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.






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