Critics give Trouble in Paradise a B-Side Breakdown of 82 (B-), from 8 reviews at outlets we track. Scores run 65 to 100.
The verdict on Trouble in Paradise
5 of 8 critics liked it. A mixed reception.
- Highest 100 The Independent and The Guardian
- Lowest 65 Pitchfork
- By the numbers The best-reviewed album of La Roux's career on B-Side Breakdowns, ahead of La Roux (73). The top-rated Pop album of 2014 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| The Independent via Wikipediaby Hugh Montgomery | 5/5 | 100 | 2014 | |
| The Guardian via Wikipediaby Alexis Petridis | 5/5 | 100 | 2014 | “Alexis Petridis: It's taken Elly Jackson five years to follow up her debut album, and by all accounts it was a pretty torturous process – but the end result is…” |
| NME via Wikipediaby Rhian Daly | 9/10 | 90 | 2014 | “When Future Islands cut a rug across the Late Show With David Letterman set in March, it wasn’t just the spectacle that quickened the pulse. For all Samuel T Herring’s…” |
| Spin via Wikipediaby Barry Walters | 8/10 | 80 | 2014 | “8SPIN Rating: 8 of 10Release Date: July 22, 2014Label: Cherrytree /InterscopeNot a month after releasing her 2009 debut, Elly Jackson was struggling to” |
| Q via Wikipedia | 4/5 | 80 | 2014 | |
| Rolling Stone via Wikipediaby Will Hermes | 3.5/5 | 70 | 2014 | “Check out our album review of Artist's Trouble in Paradise on Rolling Stone.com.” |
| AllMusic via Wikipediaby Heather Phares | 3.5/5 | 70 | ||
| Pitchfork via Wikipediaby Mike Powell | 6.5/10 | 65 | 2014 | “Following bandmate/producer Ben Langmaid's departure, La Roux's second album still sounds like La Roux: slick, bright, and instantly familiar. This record breathes more than their debut, with slower tempos and…” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.






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