Stolen Moments

John Hiatt – Stolen Moments: B-Side Breakdown 77 (C+) from 3 critic reviews.

Album cover for Stolen Moments by John Hiatt
Released June 1990
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John Hiatt

Stolen Moments

77
B-Side BreakdownGrade C+ · 3 critics · 67% approval
B-Side Breakdown77Grade: C+
Approval67%2 of 3 critics scored it 75 or higher
DivisivenessUnanimousHow close the scores are: most critics land within 10 points of each other

Early reviews. Critics give Stolen Moments an early B-Side Breakdown of 77 (C+), from 3 reviews so far. It will settle as more outlets weigh in.

The verdict on Stolen Moments

So far, 2 of 3 critics liked it.

020406080100AllMusic: 70Select: 80Rolling Stone: 80 Breakdown 77
Select via Wikipediaby O'Connell Clodagh 4/5 80 2006
Rolling Stone via Wikipediaby Ira Robbins 4/5 80 1990
AllMusic via Wikipediaby William Ruhlmann 3.5/5 70 2006

Stolen Moments in John Hiatt's catalog

75Hangin’ Around the Observatory (1974): 7474Overcoats (1975): 6464Bring the Family (1987): 8888Slow Turning (1988): 8686Stolen Moments (1990): 7777This oneWalk On (1995): 6767Master of Disaster (2005): 6060The Eclipse sessions (2018): 777719742018
John Hiatt's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every John Hiatt album, ranked

How these critics usually treat John Hiatt

  • Rolling Stone About usual for them5 points above the other critics here. Usually 2 points below on John Hiatt's other albums (3).
  • AllMusic About usual for them10 points below the other critics here. Usually 5 points below on John Hiatt's other albums (7).

More from John Hiatt

See all John Hiatt albums ranked

More Rock from around 1990

Would you spin it again?

Be the first to answer. Results show once 3 listeners weigh in.

How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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