Based on 8 reviews from outlets we track. Scores run 60 to 88.
By the numbers: Emmylou Harris's best-reviewed album here since All I Intended to Be (2008).
| The gist | ||||
|---|---|---|---|---|
| Entertainment Weekly via Wikipediaby Ken Tucker | B+ | 88 | ||
| AllMusic via Wikipediaby Mark Deming | 4/5 | 80 | ||
| PopMatters via Wikipediaby Steve Leftridge | 8/10 | 80 | ||
| Slant via Wikipediaby Jonathan Keefe | 3.5/5 | 70 | ||
| Los Angeles Times via Wikipediaby Greg Kot | 2.5/4 | 63 | ||
| musicOMHby Daniel Paton | 3/5 | 60 | 2011 | “How frustrating it is that reviews of new Emmylou Harris albums always seem to start with surprise that the album features self-penned songs. For sure,” |
| The Guardian via Wikipediaby Gareth Grundy | 3/5 | 60 | ||
| The Independent via Wikipediaby Andy Gill | 3/5 | 60 |
More from Emmylou Harris
More Folk, Country & Americana from around 2011
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.









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