Early reviews. Critics give Nat King Cole & Me an early B-Side Breakdown of 68 (Mixed Bag), from 4 reviews so far. It will settle as more outlets weigh in.
The verdict on Nat King Cole & Me
So far, 3 of 4 critics liked it.
- Highest 80 The Telegraph and AllMusic
- Lowest 40 The Guardian
- By the numbers The lowest score of Gregory Porter's 4 albums with a Breakdown.
| The gist | ||||
|---|---|---|---|---|
| The Telegraph via Wikipediaby Neil McCormick | 4/5 | 80 | 2016 | |
| AllMusic via Wikipediaby Matt Collar | 4/5 | 80 | ||
| PopMatters via Wikipediaby Andy Jurik | 7/10 | 70 | 2017 | “At 12 tracks the album is lean enough to keep it from lagging into needless idol-worship, yet sometimes it feels a bit like checking off boxes. "L.O.V.E." is” |
| The Guardian via Wikipediaby John Lewis | 2/5 | 40 | 2017 |
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Nat King Cole & Me in Gregory Porter's catalog
How these critics usually treat Gregory Porter
- AllMusic Kinder than usual17 points above the other critics here. Usually 5 points above on Gregory Porter's other albums (3).
- PopMatters Harsher than usual3 points above the other critics here. Usually 13 points above on Gregory Porter's other albums (3).
More from Gregory Porter
← Earlier Take Me to the Alley (2016)Later → All Rise (2020)
More Jazz from around 2017
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







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