Critics give I Love You Dude a B-Side Breakdown of 59 (F), from 8 reviews at outlets we track. Scores run 44 to 80.
The verdict on I Love You Dude
Most critics weren't won over: 1 of 8 liked it.
- Highest 80 AllMusic
- Lowest 44 Pitchfork
- Career #2 of Digitalism's 2 albums with a Breakdown
- By the numbers Digitalism's best-reviewed album here since Idealism (2007).
| The gist | ||||
|---|---|---|---|---|
| AllMusic via Wikipediaby Ned Raggett | 4/5 | 80 | ||
| Drowned in Sound via Wikipediaby Chris Trout | 7/10 | 70 | 2011 | “So, um, about that new Digitalism album, then? Oh. Yes. Erm, it’s good.” |
| Slant via Wikipediaby Huw Jones | 3/5 | 60 | 2011 | “Digitalism is at their best when immersing themselves in the trappings and embellishments of full-blown electronica.” |
| NME via Wikipediaby Jamie Crossan | 6/10 | 60 | 2011 | |
| The Guardian via Wikipediaby Michael Cragg | 3/5 | 60 | 2011 | “Dance rockers Digitlaism do what they did before. It all gets a bit too familiar for Michael Cragg” |
| musicOMH via Wikipediaby Luke Winkie | 2.5/5 | 50 | 2011 | “Bass is bass, a drop is a drop, and a banger is a banger – no matter how much guilt the enjoyment brings” |
| Clash via Wikipediaby Will Salmon | 5/10 | 50 | 2011 | “There’s little room for subtlety in Digitalism’s world. The German house-rock duo are thinking big, and every second of ‘I Love You, Dude’ is built for total warehouse domination.” |
| Pitchfork via Wikipediaby Eric Grandy | 4.4/10 | 44 | 2011 | “The Hamburg duo's sophomore album adds bromance to the blog-house of 2007 debut Idealism, a house-rock hybrid recalling Justice or Simian Mobile Disco.” |
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More from Digitalism
More Electronic from around 2011
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.





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