Critics give Crazy Clown Time a B-Side Breakdown of 63 (D), from 8 reviews at outlets we track. Scores run 40 to 81.
The verdict on Crazy Clown Time
Critics split on this one: scores run from 40 (Rolling Stone and 1 other) to 81 (The A.V. Club).
- Highest 81 The A.V. Club
- Lowest 40 Rolling Stone and PopMatters
- Career #2 of David Lynch's 2 albums with a Breakdown
| The gist | ||||
|---|---|---|---|---|
| The A.V. Club via Wikipediaby Lacy Baugher Milas | B- | 81 | 2022 | “The A.V. Club digs deep into film, TV, music, games, books and more.” |
| Clash via Wikipediaby Anna Wilson | 8/10 | 80 | 2011 | “Lynch is a member of that most elite of societies, the artist become adjective.” |
| Consequence via Wikipediaby Adam Kivel | C+ | 78 | 2011 | “Eerie, intense filmmaker produces an eerie, intense record.” |
| AllMusic via Wikipediaby Heather Phares | 3.5/5 | 70 | ||
| Pitchfork via Wikipediaby Mike Powell | 6.1/10 | 61 | 2011 | “Most of David Lynch's official debut, featuring vocal contributions from Karen O and Lynch himself, is what you might expect from an album made by the filmmaker: tense, repetitive bluesy…” |
| Paste via Wikipediaby Ryan Reed | 5.0/10 | 50 | 2011 | “Paste Magazine is your source for the best music, movies, TV, comedy, videogames, books, comics, craft beer, politics and more. Discover your favorite albums and films.” |
| Rolling Stone via Wikipediaby Nick Catucci | 2/5 | 40 | 2011 | “Check out our album review of Artist's Crazy Clown Time on Rolling Stone.com.” |
| PopMatters via Wikipediaby Philip Majorins | 4/10 | 40 | 2011 | “Nothing quite compares to the dark force that is David Lynch. The noir filmmaker is currently in search of new profound visions through music. A few musical” |
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.





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