Early reviews. Critics give CeeLo’s Magic Moment an early B-Side Breakdown of 63 (D), from 7 reviews so far. It will settle as more outlets weigh in.
The verdict on CeeLo’s Magic Moment
Critics split on this one: 3 of 7 liked it.
- Highest 80 Slant, The Telegraph and AllMusic
- Outlier 30 PopMatters, 20 points below the next-lowest score
- Career #3 of CeeLo Green's 3 albums with a Breakdown
| The gist | ||||
|---|---|---|---|---|
| Slant via Wikipediaby Ted Scheinman | 4/5 | 80 | 2012 | “On Cee Lo’s Magic Moment, Cee Lo accesses his better angels without losing the hard groove or the über-weirdness.” |
| The Telegraph via Wikipedia | 4/5 | 80 | 2012 | |
| AllMusic via Wikipediaby Andy Kellman | 4/5 | 80 | 2012 | |
| The Guardian via Wikipediaby Alexis Petridis | 3/5 | 60 | 2012 | “If anyone can make a Christmas album work in this day and age, it's Cee-Lo. And he has – well, almost. By Alexis Petridis” |
| Pitchfork via Wikipediaby Jessica Hopper | 5.9/10 | 59 | 2012 | “Cee Lo's Magic Moment, a collection of Christmas songs, features guest spots from Christina Aguilera, Rod Stewart, and the Muppets. It's the work of Cee Lo the entertainer, a brand…” |
| NME via Wikipedia | 5/10 | 50 | 2012 | “The increasingly curious development of Cee Lo Green’s career from R&B crooner to cuddly prime-time cartoon character takes its latest turn with the release of this, his first Christmas album.…” |
| PopMatters via Wikipediaby David Amidon | 3/10 | 30 | 2012 | “I found joy through all my pain / I just wanna be happy with being me," sang Cee-Lo on Common's 1997 album One Day It'll All Make Sense. At the…” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
More from CeeLo Green
More R&B & Soul from around 2012
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.






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