All Mirrors

Angel Olsen – All Mirrors: B-Side Breakdown 85 (B) from 10 critic reviews.

Album cover for All Mirrors by Angel Olsen
Released October 4, 2019
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Angel Olsen

All Mirrors

85
B-Side BreakdownGrade B · 10 critics · 100% approval
B-Side Breakdown85Grade: B
Approval100%10 of 10 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 14 points of each other

Based on 10 reviews from outlets we track. Scores run 80 to 100.

By the numbers: The best-reviewed album of Angel Olsen's career on B-Side Breakdowns, ahead of My Woman (83). All 10 critics liked it, and the lowest score was 80, from The Independent.

020406080100Uncut: 80Q: 80Mojo: 80The Guardian: 80The Independent: 80The A.V. Club: 81Pitchfork: 89Rolling Stone: 90AllMusic: 90NME: 100 Breakdown 85
The gist
NME via Wikipediaby El Hunt 5/5 100 2019 “Angel Olsen’s love songs always come with the suggestion that eternal love is impossible. On her fourth album she looks to herself for solace”
Rolling Stone via Wikipediaby Will Hermes 4.5/5 90 2019 “With orchestral strings and goth-noir drama, indie singer-songwriter Angel Olsen makes her biggest, boldest record yet with 'All Mirrors.”
AllMusic via Wikipediaby Marcy Donelson 4.5/5 90
Pitchfork via Wikipediaby Laura Snapes 8.9/10 89 2019 “The breathtaking songs of Angel Olsen’s fifth album are fleshed out by a 12-piece string section and deliver grand gestures about romance, authenticity, and being simply at the mercy of…”
The A.V. Club via Wikipediaby Annie Zaleski B- 81 2019 “Angel Olsen’s All Mirrors is a gorgeous but fatiguing listen”
Uncut via Wikipediaby Stephen Deusner 8/10 80 2019
Q via Wikipediaby Rachel Aroesti 4/5 80 2019
Mojo via Wikipediaby Victoria Segal 4/5 80 2019
The Guardian via Wikipediaby Alexis Petridis 4/5 80 2019 “Literate, melodious songs twist into dissonance and darkness on Olsen’s new album. It’s a rewarding, unexpected listen”
The Independent via Wikipediaby Alexandra Pollard 4/5 80 2019 “The singer dials things up even further than 2016’s Sixties-leaning ‘My Woman’ on a balletic, haywire album that refuses to follow the rules”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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