Bachelor No. 2 or, the Last Remains of the Dodo

Aimee Mann – Bachelor No. 2 or, the Last Remains of the Dodo: B-Side Breakdown 85 (Heavy Rotation) from 7 critic reviews.

Album cover for Bachelor No. 2 or, the Last Remains of the Dodo by Aimee Mann
Released 1999
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Aimee Mann

Bachelor No. 2 or, the Last Remains of the Dodo

85
B-Side BreakdownHeavy Rotation · 7 critics · 100% approval
B-Side Breakdown85Heavy Rotation
Approval100%7 of 7 critics scored it 70 or higher
DivisivenessUnanimousHow close the scores are: most critics land within 8 points of each other

Early reviews. Critics give Bachelor No. 2 or, the Last Remains of the Dodo an early B-Side Breakdown of 85 (Heavy Rotation), from 7 reviews so far. It will settle as more outlets weigh in.

The verdict on Bachelor No. 2 or, the Last Remains of the Dodo

7 of 7 critics liked it, and they mostly agree.

020406080100The Rolling Stone Album Guide: 80Rolling Stone: 80Q: 80Entertainment Weekly: 85Los Angeles Times: 88Pitchfork: 90AllMusic: 90 Breakdown 85
The gist
Pitchfork via Wikipediaby Judy Berman 9.0/10 90 2019 “Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we revisit Aimee Mann’s third album,…”
AllMusic via Wikipediaby Stephen Thomas Erlewine 4.5/5 90
Los Angeles Times via Wikipediaby Natalie Nichols 3.5/4 88 2000 “AIMEE MANN 'Bachelor No. 2" SuperEgo *** 1/2 It's ironic that Mann's third solo album is subtitled "Or, the Last Remains of the Dodo.”
Entertainment Weekly via Wikipediaby David Browne A- 85 2000
The Rolling Stone Album Guide via Wikipediaby Mac Randall 4/5 80 2004 “Previously published as: Rolling Stone album guide”
Rolling Stone via Wikipediaby David Wild 4/5 80 2000
Q via Wikipedia 4/5 80 2004

Bachelor No. 2 or, the Last Remains of the Dodo in Aimee Mann's catalog

70Whatever (1993): 8383Bachelor No. 2 or, the Last Remains of the Dodo (1999): 8585This oneLost in Space (2002): 6868The Forgotten Arm (2005): 7272One More Drifter in the Snow (2006): 6363Fucking Smilers (2008): 7474Charmer (2012): 6666Queens of the Summer Hotel (2021): 757519932021
Aimee Mann's albums by B-Side Breakdown, in release order. Above the dashed line, most critics liked it. Every Aimee Mann album, ranked

How these critics usually treat Aimee Mann

  • Rolling Stone Kinder than usual6 points below the other critics here. Usually 19 points below on Aimee Mann's other albums (5).
  • Q About usual for them6 points below the other critics here. Usually 2 points below on Aimee Mann's other albums (4).
  • Entertainment Weekly About usual for themLevel with the other critics here. Usually 3 points above on Aimee Mann's other albums (4).
  • AllMusic About usual for them6 points above the other critics here. Usually 5 points above on Aimee Mann's other albums (7).

More from Aimee Mann

See all Aimee Mann albums ranked

More Rock from around 1999

Would you spin it again?

Be the first to answer. Results show once 3 listeners weigh in.

How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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