Based on 10 reviews from outlets we track. Scores run 40 to 81.
By the numbers: Scores ran from 40 (musicOMH) to 81 (Entertainment Weekly).
| The gist | ||||
|---|---|---|---|---|
| Entertainment Weekly via Wikipediaby Sia Michel | B- | 81 | ||
| The Guardian via Wikipediaby Caroline Sullivan | 4/5 | 80 | 2006 | |
| Pitchfork via Wikipediaby Mark Pytlik | 6.5/10 | 65 | 2006 | “America's boldest pop star once again crafts a solo album that veers between the vanguard and the insipid.” |
| Q via Wikipedia | 3/5 | 60 | 2006 | |
| AllMusic via Wikipediaby Stephen Thomas Erlewine | 3/5 | 60 | ||
| Slant | 3/5 | 60 | “Gwen Stefani trades in her Fiddler on the Roof soundtrack for The Sound of Music.” | |
| Rolling Stone via Wikipediaby Rob Sheffield | 2/5 | 40 | ||
| NME via Wikipediaby Alex Miller | 4/10 | 40 | 2006 | “Back in 2004 times were tough for pop music. Justin Timberlake’s ‘Cry Me A River’ and Xtina’s ‘Dirrty’ were little more than million-dollar memories, and the sappy ringtone-romance of James…” |
| PopMatters | 4/10 | 40 | “So check this out. My friends don't like Gwen Stefani's The Sweet Escape — and it's my fault. How'd that happen?” | |
| musicOMH | 2/5 | 40 | “t's pretty fair to say that you know what you're going to get from Gwen Stefani. After the success of Love Angel Music Baby, it was always going to be…” |
More from Gwen Stefani
More Pop from around 2006
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.






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