Critics give From the Pyre a B-Side Breakdown of 88 (B+), from 8 reviews at outlets we track. Scores run 70 to 100.
The verdict on From the Pyre
7 of 8 critics liked it, with some disagreement on how much.
- Highest 100 Record Collector, Rolling Stone UK and DIY
- Lowest 70 Uncut
- By the numbers The best-reviewed album of The Last Dinner Party's career on B-Side Breakdowns, ahead of Prelude to Ecstasy (83). The fifth best-reviewed album of 2025 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| Record Collector via Wikipediaby Peter Barry | 5/5 | 100 | Oct 4, 2025 | “Do the band, subject of awe and ire, whose debut album went to No 1 in February last year, wobble under the pressure of the difficult second album? They” |
| Rolling Stone UK via Wikipediaby Nick Reilly | 5/5 | 100 | Oct 13, 2025 | “The Last Dinner Party's second album sees them explore darker themes, reflections on the realities of fame and the biggest tunes ever” |
| DIY via Wikipediaby Sophie McVinnie | 5/5 | 100 | Oct 15, 2025 | “Both thematically and sonically richer.” |
| musicOMH via Wikipediaby John Murphy | 4.5/5 | 90 | Oct 16, 2025 | “Rich in ideas and confidence, the follow-up to Prelude To Ecstasy takes the concept of 'the difficult second album', screws it up in a ball and throws it over its…” |
| The Line of Best Fit via Wikipediaby John Amen | 8/10 | 80 | Oct 15, 2025 | “With From The Pyre, The Last Dinner Party continue to display their attunement to instrumental dynamics with mega themes grounded via a confessional stance and first-person narratives.” |
| The Arts Desk via Wikipediaby Thomas H. Green | 4/5 | 80 | Oct 16, 2025 | “Before we get into it, reader, can you accept that The Last Dinner Party are a band born of privilege and high academic study? Of poshness, classical composition, private education,…” |
| AllMusic via Wikipediaby James Christopher Monger | 4/5 | 80 | ||
| Uncut via Wikipediaby Fiona Shepherd | 7/10 | 70 | Jul 17, 2025 |
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.




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