Early reviews. Based on 7 critics so far. The Breakdown will settle as more outlets weigh in.
By the numbers: Scores ran from 40 (musicOMH) to 85 (Louder Than War).
| The gist | ||||
|---|---|---|---|---|
| Louder Than War via Wikipedia | 8.5/10 | 85 | 2013 | “Sophistication, emotional depth, originality and utter cool – our writer reckons Woodkid has it all on his debut album The Golden Age.” |
| The Guardian via Wikipediaby Charlotte Richardson Andrews | 4/5 | 80 | 2013 | “Yoann Lemoine spins out his narrative arc of a fairytale-tinged adolescence to compelling ends on his debut, writes Charlotte Richardson Andrews” |
| The Line of Best Fit via Wikipediaby Paul Bridgewater | 8/10 | 80 | 2013 | “The cinematic musical debut from the director of Lana Del Rey's 'Born to Die' will divide listeners but it's one of the most intelligent records you'll hear this year.” |
| AllMusic via Wikipediaby Heather Phares | 3.5/5 | 70 | ||
| NME via Wikipediaby Kevin EG Perry | 3/5 | 60 | 2013 | “Yoann Lemoine directed Lana Del Rey’s ‘Born To Die’ video, was nominated for the Best Music Video Grammy for his single ‘Run Boy Run’ and had his song ‘Iron’ sampled…” |
| PopMatters via Wikipediaby Logan Smithson | 5/10 | 50 | 2013 | |
| musicOMH via Wikipediaby Martin Headon | 2/5 | 40 | 2013 | “Yoann Lemoine, the arboreal child in question, was once promo director to Lana Del Rey, Taylor Swift and Rihanna, before becoming the creative force” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
More Indie & Alternative from around 2013
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.




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