- Artist
- Eminem
- Album
- The Death of Slim Shady (Coup de Grâce)
Early reviews. Based on 5 critics so far. The Breakdown will settle as more outlets weigh in.
| The gist | |||
|---|---|---|---|
| RapReviews | 7/10 | 70 | |
| Clash | 5/10 | 50 | “Eminem’s Jekyll and Hyde tendencies were evident from the start. Splitting his negative emotions from a more secure place of introspection, the divide” |
| Pitchfork | 4.8/10 | 48 | “Read Dash Lewis’ review of the album.” |
| Rolling Stone Australia | 2/5 | 40 | “Eminem now sounds like a star with the yips, sweating to reassure everyone — especially himself — he’s still got it” |
| musicOMH | 1.5/5 | 30 | “Veteran rapper undoes years of progress, bursting a blood vessel to shock and receiving eye-rolls in response” |
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Critics who liked it is the share of outlets that scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not whether critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Scores marked est. come from reviews that publish no number.
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