Based on 14 reviews from outlets we track. Scores run 50 to 100.
By the numbers: The best-reviewed album of Chvrches's career on B-Side Breakdowns, ahead of Screen Violence (76). Scores ran from 50 (Slant) to 100 (AllMusic).
| The gist | ||||
|---|---|---|---|---|
| AllMusic via Wikipediaby Heather Phares | 5/5 | 100 | ||
| The A.V. Club via Wikipediaby Kyle Ryan | A | 95 | 2013 | “Chvrches: The Bones Of What You Believe” |
| Pitchfork via Wikipediaby Larry Fitzmaurice | 8.5/10 | 85 | 2013 | |
| Entertainment Weekly via Wikipediaby Nick Catucci | B | 85 | ||
| Rolling Stone via Wikipediaby Jon Dolan | 4/5 | 80 | 2013 | “Check out our album review of Artist's The Bones of What You Believe on Rolling Stone.com.” |
| NME via Wikipediaby Matthew Horton | 8/10 | 80 | 2013 | “How three individuals grounded in the homespun Caledonian traditions of post-rock and twee-folk managed to build the gleaming chrome-pop edifice of Chvrches is far from self-evident. That discrepancy has led…” |
| The Independent via Wikipediaby Holly Williams | 4/5 | 80 | 2013 | |
| Spinby Puja Patel | 8/10 | 80 | 2013 | “8SPIN Rating: 8 of 10Release Date: September 24, 2013Label: GlassnoteAt first listen, Scotland's CHVRCHES could easily fool you into believing that” |
| musicOMH | 4/5 | 80 | “In little over a year Chvrches have become one of the most talked about and hyped bands around. Formed by members of Aereogramme (Iain Cook) , The” | |
| Los Angeles Times via Wikipediaby August Brown | 3/4 | 75 | 2013 | “In an autumn filled with female-fronted electropop releases both big (Katy Perry, Lady Gaga) and smaller (Icona Pop), the debut from Scottish trio Chvrches might get lost.” |
| Beats Per Minute | 67% | 67 | “Music News, Reviews, Interviews, Videos and MP3s” | |
| The Guardian via Wikipediaby Harriet Gibsone | 3/5 | 60 | 2013 | “Synth-pop trio Chvrches have been all over the internet for months, but their debut album should be enough to keep people from switching off, writes Harriet Gibsone” |
| PopMatters | 6/10 | 60 | “One of the earliest promotional photographs of the band Chvrches showed the group in front of a gigantic illuminated sign that read, "There will be no” | |
| Slant | 2.5/5 | 50 | “The capable melodies on 'The Bones of What You Believe' never quite balance out the album's utter lack of thematic unity.” |
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.






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