Hospice

The Antlers – Hospice: B-Side Breakdown 83 (B) from 11 critic reviews.

Album cover for Hospice by The Antlers
Released March 3, 2009
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The Antlers

Hospice

83
B-Side BreakdownGrade B · 11 critics · 91% approval
B-Side Breakdown83Grade: B
Approval91%10 of 11 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 16 points of each other

Critics give Hospice a B-Side Breakdown of 83 (B), from 11 reviews at outlets we track. Scores run 70 to 100.

The verdict on Hospice

10 of 11 critics liked it, and they mostly agree.

  • Highest 100 The Telegraph
  • Lowest 70 Spin
  • By the numbers The best-reviewed album of The Antlers's career on B-Side Breakdowns, ahead of Blight (77).
020406080100Spin: 70PopMatters: 80Uncut: 80Q: 80The Guardian: 80NME: 80AllMusic: 80Pitchfork: 85musicOMH: 90The A.V. Club: 91The Telegraph: 100 Breakdown 83
The gist
The Telegraph via Wikipediaby Neil McCormick 5/5 100 2009
The A.V. Club via Wikipediaby Danette Chavez A- 91 2022 “The A.V. Club digs deep into film, TV, music, games, books and more.”
musicOMHby Gideon Brody 4.5/5 90 2009 “What exists at death's precipice? What is there when one future is as bleak and unimaginable as it gets and the present numbs fate's bystanders into a”
Pitchfork via Wikipediaby Brian Howe 8.5/10 85 2009 “Brooklyn band offers a skyscraping blend of the ambient and the anthemic, a record that swings for the bleachers at a time when it's fashionable to bunt.”
PopMattersby Matt Gonzales 8/10 80 2009 “Over the past six months, bloggers have been falling over their online personas praising the depth of feeling and haunting singularity of vision that”
Uncut via Wikipedia 4/5 80 2009
Q via Wikipedia 4/5 80 2009
The Guardian via Wikipediaby Tom Hughes 4/5 80 2009 “The lighter these pretty, feedback-drenched pop songs get, the heavier they hit, says Tom Hughes”
NME via Wikipedia 8/10 80 2009
AllMusic via Wikipediaby Jason Lymangrover 4/5 80
Spin via Wikipediaby Larry Fitzmaurice 7/10 70 2009

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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