Critics give Metamodern Sounds in Country Music a B-Side Breakdown of 85 (Heavy Rotation), from 8 reviews at outlets we track. Scores run 70 to 100.
The verdict on Metamodern Sounds in Country Music
8 of 8 critics liked it, with some disagreement on how much.
- Highest 100 The Telegraph and AllMusic
- Lowest 70 Rolling Stone
- Career #2 of Sturgill Simpson's 5 albums with a Breakdown
- By the numbers The tenth best-reviewed album of 2014 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| The Telegraph via Wikipediaby Martin Chilton | 5/5 | 100 | 2014 | |
| AllMusic via Wikipediaby Thom Jurek | 5/5 | 100 | ||
| Exclaim! via Wikipediaby Stuart Henderson | 9/10 | 90 | 2014 | “Metamodern Sounds in Country Music” |
| Uncut via Wikipediaby Rob Hughes | 8/10 | 80 | 2014 | |
| Record Collector via Wikipediaby Sue Matiz | 4/5 | 80 | 2014 | “In an effort to bring Simpson’s UK releases in line with what’s available in his US homeland, this is the second Sturgill album to” |
| Mojo via Wikipedia | 4/5 | 80 | 2014 | |
| Pitchfork via Wikipediaby Stephen M. Deusner | 7.7/10 | 77 | 2014 | |
| Rolling Stone via Wikipediaby Nick Murray | 3.5/5 | 70 | 2014 | “Check out our album review of Artist's Metamodern Sounds in Country Music on Rolling Stone.com.” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
Metamodern Sounds in Country Music in Sturgill Simpson's catalog
How these critics usually treat Sturgill Simpson
- AllMusic Kinder than usual18 points above the other critics here. Usually 5 points below on Sturgill Simpson's other albums (4).
- Rolling Stone Harsher than usual17 points below the other critics here. Usually 8 points below on Sturgill Simpson's other albums (4).
- Pitchfork About usual for them9 points below the other critics here. Usually 2 points below on Sturgill Simpson's other albums (4).
More from Sturgill Simpson
More Folk, Country & Americana from around 2014
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.








Leave a Reply