Early reviews. Based on 6 critics so far. The Breakdown will settle as more outlets weigh in.
By the numbers: Chris Stapleton's best-reviewed album here since From A Room: Volume 1 (2017). Scores ran from 60 (Slant) to 100 (The Independent).
| The gist | ||||
|---|---|---|---|---|
| The Independent via Wikipedia | 5/5 | 100 | “Chris Stapleton releases a new country masterpiece while rising star Benee makes a promising pop debut. McFly are stuck in the past, while Sophie Ellis-Bexter is more successful in her…” | |
| AllMusic via Wikipediaby Stephen Thomas Erlewine | 4/5 | 80 | ||
| Spectrum Cultureby John Paul | 78/100 | 78 | 2020 | “It’s all delivered with a workmanlike confidence that is so effortless as to make what, elsewhere and in lesser hands, would be borderline mind-blowing simply par for the course.” |
| PopMatters via Wikipediaby Jonathan Bernstein | 7/10 | 70 | “It's hard to imagine why Chris Stapleton would feel the need to start over just now. Five years ago, his debut solo album Traveller put him into permanent” | |
| Rolling Stone via Wikipediaby Jonathan Bernstein | 3.5/5 | 70 | “Read our review of Chris Stapleton's new album 'Starting Over.” | |
| Slant via Wikipedia | 3/5 | 60 | “The album’s unvarnished style generally works, but there’s nowhere to hide when the singer drifts into the saccharine.” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
More from Chris Stapleton
More Folk, Country & Americana from around 2020
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







Leave a Reply