Road to Rouen

Supergrass – Road to Rouen: B-Side Breakdown 74 (C) from 10 critic reviews.

Album cover for Road to Rouen by Supergrass
Released August 15, 2005
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Supergrass

Road to Rouen

74
B-Side BreakdownGrade C · 10 critics · 50% approval
B-Side Breakdown74Grade: C
Approval50%5 of 10 critics scored it 75 or higher
DivisivenessDividedHow close the scores are: most critics land within 38 points of each other

Based on 10 reviews from outlets we track. Scores run 30 to 100.

By the numbers: Scores ran from 30 (Drowned in Sound) to 100 (The Guardian). Supergrass's best-reviewed album here since In It for the Money (1997).

020406080100Drowned in Sound: 30Q: 60PopMatters: 70NME: 70Pitchfork: 72Uncut: 80Mojo: 80Under the Radar: 90AllMusic: 90The Guardian: 100 Breakdown 74
The gist
The Guardian via Wikipediaby Adam Sweeting 5/5 100 2005
Under the Radar via Wikipedia 9/10 90 2005
AllMusic via Wikipediaby Stephen Thomas Erlewine 4.5/5 90 2005
Uncut via Wikipedia 4/5 80 2005
Mojo via Wikipedia 4/5 80 2005
Pitchfork via Wikipediaby Joe Tangari 7.2/10 72
PopMatters via Wikipediaby Zeth Lundy 7/10 70 2005 “Somewhere along the way, the 'Grass deflated its hot air balloon, which had toured celestial bodies at hyper speeds, and touched down on solitude. Slipping”
NME via Wikipediaby Rob Fitzpatrick 7/10 70 2005 “Supergrass have spent 11 years leaving me fairly cold. ‘Caught By The Fuzz’ was a brilliant pop record, and I remember liking ‘Mary’ a lot, but, fucking hell, all that…”
Q via Wikipedia 3/5 60 2005
Drowned in Sound via Wikipediaby DiS Archive 3/10 30 2005 “They were young, they ran green, Kept their teeth nice and clean, They're growing old gracefully… Alright…or is it?”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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