Based on 10 reviews from outlets we track. Scores run 40 to 88.
By the numbers: Scores ran from 40 (Spectrum Culture) to 88 (Los Angeles Times). The third best-reviewed Hip-Hop & Rap album of 2014 we've tracked.
| The gist | ||||
|---|---|---|---|---|
| Los Angeles Times via Wikipediaby Randall Roberts | 3.5/4 | 88 | 2014 | “One of the year's most anticipated hip-hop releases, Schoolboy Q's "Oxymoron" lives up to its buzz.” |
| The A.V. Club via Wikipediaby Oliver Sava | B | 85 | 2022 | “The A.V. Club digs deep into film, TV, music, games, books and more.” |
| Rolling Stone via Wikipediaby Christopher R. Weingarten | 4/5 | 80 | 2014 | “Check out our album review of Artist's Oxymoron on Rolling Stone.com.” |
| PopMatters | 8/10 | 80 | “Folks who've been following the Top Dawg camp for a few years now have likely settled into what's become a pretty familiar catalog: Jay Rock plays the” | |
| Pitchfork via Wikipediaby Craig Jenkins | 7.8/10 | 78 | 2014 | “L.A. rapper Schoolboy Q specializes in hairpin turns from cautionary street tales and remorseful reflection into wanton bacchanal. His Interscope debut Oxymoron is essentially a volleyball match between his warring…” |
| Spinby Brandon Soderberg | 7/10 | 70 | 2014 | “7SPIN Rating: 7 of 10Release Date: February 25, 2014Label: Interscope / Top DawgScHoolboy Q, the most unambitious and conventional member of Southern” |
| AllMusic via Wikipedia | 3.5/5 | 70 | ||
| The Guardian via Wikipediaby Alexis Petridis | 3/5 | 60 | 2014 | “Schoolboy Q virtually demands the listener weigh his album up against Kendrick Lamar's, but it's not a fair contest, writes Alexis Petridis” |
| Slant | 3/5 | 60 | “Oxymoron feels a bit like a Scarface fan living in a Godfather world.” | |
| Spectrum Culture | 2.0/5 | 40 | “[xrr rating=3.25/5]Rap imprint Top Dawg Entertainment (not to be confused with Kid Rock’s Top Dog Records) has a certain feather in its cap that puts its reputation above any and…” |
More Hip-Hop & Rap from around 2014
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.




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