Only Revolutions

Biffy Clyro – Only Revolutions: B-Side Breakdown 80 (B-) from 7 critic reviews.

Album cover for Only Revolutions by Biffy Clyro
Released November 9, 2009
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Biffy Clyro

Only Revolutions

80
B-Side BreakdownGrade B- · 7 critics · 86% approval
B-Side Breakdown80Grade: B-
Approval86%6 of 7 critics scored it 75 or higher
DivisivenessUnanimousHow close the scores are: most critics land within 10 points of each other

Early reviews. Based on 7 critics so far. The Breakdown will settle as more outlets weigh in.

By the numbers: Biffy Clyro's best-reviewed album here since Infinity Land (2004). 6 of 7 critics liked it, with Clash the lone holdout at 70.

020406080100Clash: 70Q: 80The Guardian: 80Kerrang!: 80NME: 80Drowned in Sound: 80AllMusic: 90 Breakdown 80
The gist
AllMusic via Wikipedia 4.5/5 90 2009
Q via Wikipedia 4/5 80 2009
The Guardian via Wikipediaby Sarah Boden 4/5 80 2009 “Biffy remain hard rockers. But they corral their heavier visceral tendencies within irresistible tunes, says Sarah Boden”
Kerrang! via Wikipedia 4/5 80 2009
NME via Wikipediaby Emily Mackay 8/10 80 2009
Drowned in Sound via Wikipediaby DiS Archive 8/10 80 2009 “Grandeur suits Biffy Clyro, and their overblown songs manage to tug effectively on heartstrings despite their foibles.”
Clash via Wikipedia 7/10 70 2009 “Scotland’s Biffy Clyro have been rocking away for five albums now, each making inroads into the mainstream, not through comprise but through hard work and generally excelling at what they…”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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