Based on 10 reviews from outlets we track. Scores run 50 to 88.
By the numbers: 2 of 10 critics liked it.
| The gist | ||||
|---|---|---|---|---|
| Entertainment Weekly via Wikipediaby Leah Greenblatt | B+ | 88 | ||
| Consequence | B- | 81 | “Amid personal transformation, British balladeer Sam Smith falls back on familiar emotional pop crescendos to reveal a different side of themself.” | |
| The Line of Best Fit via Wikipediaby Bella Fleming | 7/10 | 70 | 2020 | “Sam Smith finds self-love and confidence on their multifaceted third outing Love Goes” |
| Pitchfork | 6.1/10 | 61 | ||
| NME via Wikipediaby Ilana Kaplan | 3/5 | 60 | 2020 | “Although there are dalliances with radio-friendly material, album three sees the star largely stick to tried-and-tested break-up songs” |
| Rolling Stone via Wikipediaby Jon Dolan | 3/5 | 60 | 2020 | “Sam Smith's latest album, 'Love Goes,' pairs classic heartbreak with gorgeous, versatile vocals” |
| The Guardian via Wikipediaby Alexis Petridis | 3/5 | 60 | 2020 | “Smith attempts to mix despair with euphoria on an album that delivers plenty of gloom but not much glitter” |
| AllMusic via Wikipediaby Andy Kellman | 3/5 | 60 | ||
| Clash | 6/10 | 60 | “Sam Smith has always self-consciously sought to be a big vocalist. The English artist isn’t someone to shrink into the corner – citing Gaga” | |
| musicOMH | 2.5/5 | 50 | “Smith's voice is as reliably excellent as ever, even if the album wallows too much in its comfort zone to be truly memorable” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







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