Drum’s Not Dead

Liars – Drum’s Not Dead: B-Side Breakdown 81 (B-) from 10 critic reviews.

Album cover for Drum’s Not Dead by Liars
Released February 20, 2006
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Liars

Drum’s Not Dead

81
B-Side BreakdownGrade B- · 10 critics · 70% approval
B-Side Breakdown81Grade: B-
Approval70%7 of 10 critics scored it 75 or higher
DivisivenessSome debateHow close the scores are: most critics land within 22 points of each other

Critics give Drum’s Not Dead a B-Side Breakdown of 81 (B-), from 10 reviews at outlets we track. Scores run 60 to 100.

The verdict on Drum’s Not Dead

7 of 10 critics liked it. A mixed reception.

  • Highest 100 Alternative Press
  • Lowest 60 The Guardian
  • By the numbers The best-reviewed album of Liars's career on B-Side Breakdowns, ahead of Liars (78).
020406080100The Guardian: 60Rolling Stone: 70NME: 70Mojo: 80AllMusic: 80Spin: 81Entertainment Weekly: 88The A.V. Club: 88Pitchfork: 90Alternative Press: 100 Breakdown 81
The gist
Alternative Press via Wikipediaby Dave Segal 5/5 100 2006
Pitchfork via Wikipediaby Brandon Stosuy 9.0/10 90 2006 “Two years after 2004's They Were Wrong So We Drowned turned dance-punk's brightest trio into impressionistic noise-rockers, Liars return with an even bigger surprise: Drum's Not Dead actually tops their…”
Entertainment Weekly via Wikipediaby Timothy Gunatilaka B+ 88 2006
The A.V. Club via Wikipediaby Josh Spiegel B+ 88 2022 “The A.V. Club digs deep into film, TV, music, games, books and more.”
Spin via Wikipedia B- 81 2006
Mojo via Wikipedia 4/5 80 2006
AllMusic via Wikipediaby Heather Phares 4/5 80
Rolling Stone via Wikipedia 3.5/5 70 2006
NME via Wikipedia 7/10 70 2006
The Guardian via Wikipediaby Leonie Cooper 3/5 60 2006

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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