- Artist
- Deftones
- Album
- Koi No Yokan
Early reviews. Based on 4 critics so far. The Breakdown will settle as more outlets weigh in.
| The gist | |||
|---|---|---|---|
| PopMatters | 9/10 | 90 | “To say the members of Sacramento’s finest, Deftones, have experienced the more extreme ends of life’s unpredictable spectrum would be an understatement. From” |
| musicOMH | 4/5 | 80 | “It has taken five long years for the Deftones to return to full strength. From the band’s stunning high point of the unorthodox dub-like grooves of 2007’s” |
| Slant | 4/5 | 80 | “Koi No Yokan further solidifies Deftones’ status as far and away the most long-lasting and consistent act of the maligned sub-genre from which they came.” |
| Spectrum Culture | 3.5/5 | 70 | “[xrr rating=3.25/5]Deftones lead singer Chino Moreno is a romantic at heart. He can scream with the best of metal’s lead men, but his emotional intensity is more often used to…” |
More from Deftones
Would you spin it again?
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Critics who liked it is the share of outlets that scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not whether critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Scores marked est. come from reviews that publish no number.
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