OutRun

Kavinsky – OutRun: B-Side Breakdown 73 (C) from 8 critic reviews.

Album cover for OutRun by Kavinsky
Released February 25, 2013
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Kavinsky

OutRun

73
B-Side BreakdownGrade C · 8 critics · 50% approval
B-Side Breakdown73Grade: C
Approval50%4 of 8 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 16 points of each other

Critics give OutRun a B-Side Breakdown of 73 (C), from 8 reviews at outlets we track. Scores run 60 to 80.

By the numbers: 4 of 8 critics liked it.

020406080100Drowned in Sound: 60Pitchfork: 63Consequence: 70AllMusic: 70PopMatters: 80Spin: 80The Independent: 80NME: 80 Breakdown 73
The gist
PopMatters via Wikipediaby Adam Bonich 8/10 80 2013
Spin via Wikipediaby David Marchese 8/10 80 2013 “8SPIN Rating: 8 of 10Release Date: February 26, 2013Label: CasablancaFrench producer Vincent Belorgey has been releasing unabashedly bombastic, undeniably”
The Independent via Wikipediaby Simon Price 4/5 80 2013 “Kavinsky, aka Vincent Belorgey, is best known for "Nightcall", the impossibly magnificent, Daft Punk-produced slo-mo electro-disco theme from Drive.”
NME via Wikipediaby Lucy Jones 8/10 80 2013 “Cheesy soft-rock guitars, guest spots from Lovefoxxx and Havoc from Mobb Deep, a storyline straight from a horror B-movie: this album really shouldn’t work. That it does is down to…”
Consequence via Wikipediaby Justin Gerber 3.5/5 70 2013
AllMusic via Wikipediaby David Jeffries 3.5/5 70
Pitchfork via Wikipediaby Miles Raymer 6.3/10 63 2013 “Kavinsky's "Nightcall" is almost as synonymous with Drive as Ryan Gosling. The French musician's new album isn't linked to a film, but centers around an automotive story of Kavinsky's creation,…”
Drowned in Sound via Wikipedia 6/10 60 2013 “The passing of time and the Drive soundtrack success of _that song_ (‘Nightcall’) has done little to phase Kavinsky’s phazers. The rhythms remain o…”

More Electronic from around 2013

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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