Early reviews. Based on 7 critics so far. The Breakdown will settle as more outlets weigh in.
By the numbers: Pistol Annies's best-reviewed album here since Hell on Heels (2011). 6 of 7 critics liked it, with PopMatters the lone holdout at 70.
| The gist | |||
|---|---|---|---|
| AllMusic via Wikipediaby Stephen Thomas Erlewine | 4.5/5 | 90 | |
| Exclaim! via Wikipediaby Anthony Easton | 9/10 | 90 | |
| The Guardian via Wikipediaby Laura Snapes | 4/5 | 80 | “Country supertrio’s new album tackles everything from divorce to prison in luscious production and wistful lyrics” |
| Pitchfork via Wikipediaby Mike Powell | 8.0/10 | 80 | “On their third album as a group, country singer-songwriters Miranda Lambert, Ashley Monroe, and Angaleena Presley offer full-blooded portraits of women who struggle, get revenge, and soldier on.” |
| Rolling Stone via Wikipediaby Jonathan Bernstein | 4/5 | 80 | “Read our review of Pistol Annies' third album 'Interstate Gospel.” |
| Uncut via Wikipediaby Rob Hughes | 8/10 | 80 | |
| PopMatters via Wikipediaby Christopher Thiessen | 7/10 | 70 | “Drive down any country road in the South, and you'll inevitably pass a quaint, old church building accompanied by a sign which reads something like this” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
More from Pistol Annies
More Folk, Country & Americana from around 2018
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.






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