- Artist
- Jamie T
- Album
- Ghosts (100 Days of Morning)
Early reviews. Based on 5 critics so far. The Breakdown will settle as more outlets weigh in.
| The gist | |||
|---|---|---|---|
| Louder Than War | 5/5 | 100 | “Sat in the doldrums of self psychoanalysis, Jamie T turned to the sounds of a youthfully free speaking Paul Weller. Ghosts might not be real, but try and” |
| NME | 4.5/5 | 90 | “On ‘Ghosts (100 Days Of Morning)’, Jamie T turns ideas from old voice memos into the beginning of a powerful new chapter in his storied career” |
| musicOMH | 4/5 | 80 | “Jamie Treays' reflective sixth album is the sound of a man looking back on his past, but not being trapped by it” |
| DIY | 3.5/5 | 70 | “In parts, he’s stumbled onto something stellar.” |
| Clash | 7/10 | 70 | “Jamie T takes the world at his own pace. 2022 up-for-the-cup full length ‘The Theory Of Whatever’ was chock full of anthems, a revitalised and urgent” |
Would you spin it again?
Be the first to answer. Results show once five listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Critics who liked it is the share of outlets that scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not whether critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Scores marked est. come from reviews that publish no number.
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