The Last Broadcast

Doves – The Last Broadcast: B-Side Breakdown 83 (B) from 9 critic reviews.

Album cover for The Last Broadcast by Doves
Released April 29, 2002
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Doves

The Last Broadcast

83
B-Side BreakdownGrade B · 9 critics · 89% approval
B-Side Breakdown83Grade: B
Approval89%8 of 9 critics scored it 75 or higher
DivisivenessSome debateHow close the scores are: most critics land within 20 points of each other

Based on 9 reviews from outlets we track. Scores run 60 to 100.

By the numbers: The best-reviewed album of Doves's career on B-Side Breakdowns, ahead of Lost Souls (80). Scores ran from 60 (The Guardian) to 100 (Uncut).

020406080100The Guardian: 60Q: 80Pitchfork: 80AllMusic: 80Robert Christgau: 81Los Angeles Times: 88NME: 90Entertainment Weekly: 91Uncut: 100 Breakdown 83
The gist
Uncut via Wikipedia 5/5 100 2005
Entertainment Weekly via Wikipediaby Brian M. Raftery A- 91
NME via Wikipediaby Jason Fox 9/10 90 2005
Los Angeles Times via Wikipediaby Steve Hochman 3.5/4 88 2002 “***1/2 LOS LOBOS "Good Morning Aztlan" Mammoth There's a darkness around the edges of Los Lobos' eighth major-label album, a sometimes elusive but always unmistakable presence, in an overtone of…”
Robert Christgau via Wikipediaby Robert Christgau B- 81
Q via Wikipedia 4/5 80 2005
Pitchfork via Wikipediaby Joe Tangari 8.0/10 80 2002 “So I'm playing with my new office chair right now. The floor of my apartment is wood-finished and extremely …”
AllMusic via Wikipediaby MacKenzie Wilson 4/5 80
The Guardian via Wikipediaby Maddy Costa, Adam Sweeting and Dave Simpson 3/5 60 2002 “Edwyn Collins is back with a bite, and X-Press 2 are the happiest sound around. Plus the rest of the week's pop”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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