Dionysus

Dead Can Dance – Dionysus: B-Side Breakdown 74 (C) from 7 critic reviews.

Album cover for Dionysus by Dead Can Dance
Released November 2, 2018
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Dead Can Dance

Dionysus

74
B-Side BreakdownGrade C · 7 critics · 43% approval
B-Side Breakdown74Grade: C
Approval43%3 of 7 critics scored it 75 or higher
DivisivenessBroad agreementHow close the scores are: most critics land within 12 points of each other

Early reviews. Based on 7 critics so far. The Breakdown will settle as more outlets weigh in.

By the numbers: Dead Can Dance's best-reviewed album here since Spiritchaser (1996). The fifth best-reviewed Indie & Alternative album of 2018 we've tracked.

020406080100Paste: 64Rolling Stone: 70PopMatters: 70Pitchfork: 73Spill Magazine: 80AllMusic: 80Uncut: 80 Breakdown 74
The gist
Spill Magazineby Aaron Badgley 8.0/10 80 2018 “Dead Can Dance Dionysus [PIAS] Recordings Lisa Gerrard and Brendan Perry formed Dead Can Dance in Melbourne, Australia in 1981. At the time the band also included Paul Erikson (bass)…”
AllMusic via Wikipediaby James Christopher Monger 4/5 80
Uncut 8/10 80 “The dynamic duo hit intoxicating form on their ninth LP”
Pitchfork 7.3/10 73 “Pairing a world’s worth of traditional instruments with widescreen gestures, the legendary duo explore the myth of a Greek god in an unknown tongue.”
Rolling Stone via Wikipediaby Kory Grow 3.5/5 70 2018
PopMatters 7/10 70 “Originating in Australia, Dead Can Dance formed in 1981. The core musicians are Brendan Perry who sings and plays a variety of instruments, and Lisa Gerrard”
Paste 6.4/10 64 “Paste Magazine is your source for the best music, movies, TV, comedy, videogames, books, comics, craft beer, politics and more. Discover your favorite albums and films.”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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