Based on 9 reviews from outlets we track. Scores run 40 to 85.
By the numbers: Diana Ross's best-reviewed album here since Diana & Marvin (1973). Scores ran from 40 (The Guardian) to 85 (Entertainment Weekly).
| The gist | ||||
|---|---|---|---|---|
| Entertainment Weekly via Wikipediaby Chuck Arnold | B | 85 | ||
| The Line of Best Fit via Wikipediaby Ross Horton | 8/10 | 80 | 2021 | “Thank You is one of Diana Ross' most definitive pieces of work” |
| Rolling Stone via Wikipediaby David Browne | 3.5/5 | 70 | 2021 | |
| musicOMH via Wikipediaby Alex Jeffery | 3.5/5 | 70 | 2021 | “Uncannily out of place arriving at this particular moment in history, that’s simultaneously what makes her first album in 15 years so appealing” |
| Pitchfork via Wikipediaby Ben Cardew | 6.2/10 | 62 | 2021 | |
| NME via Wikipediaby Gary Ryan | 3/5 | 60 | 2021 | “The singer's 25th studio album – her first with original material since 1999 – places an emphasis on schmaltzy, mid-tempo diva empowerment” |
| PopMatters via Wikipediaby Steve Horowitz | 5/10 | 50 | 2021 | “Diana Ross considers Thank You to be a "songbook of love", and indeed all 13 cuts are explicitly about love, but there's little passion in her romanticisms.” |
| AllMusic via Wikipediaby Andy Kellman | 2.5/5 | 50 | 2021 | |
| The Guardian via Wikipediaby Alexis Petridis | 2/5 | 40 | 2021 | “With disco enjoying one of its periodic moments in the sun, a supremely classy 21st-century reboot was possible. But this isn’t it” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







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