Critics give My Maudlin Career a B-Side Breakdown of 75 (Keeper), from 8 reviews at outlets we track. Scores run 59 to 90.
The verdict on My Maudlin Career
6 of 8 critics liked it, with some disagreement on how much.
- Highest 90 NME
- Lowest 59 The A.V. Club
- Career #3 of Camera Obscura's 4 albums with a Breakdown
- By the numbers Camera Obscura's best-reviewed album here since Let’s Get Out of This Country (2006).
| The gist | ||||
|---|---|---|---|---|
| NME via Wikipediaby James McMahon | 9/10 | 90 | 2009 | “To those in the know, twee-pop six-piece Camera Obscura have been making great music since 1996. Debut long-player ‘Biggest Bluest Hi-Fi’ contained ‘Eighties Fan’, one of indie pop’s great lost…” |
| Pitchfork via Wikipediaby Brian Howe | 8.3/10 | 83 | 2009 | “Latest from these Glaswegian indie-poppers blends 1950s beach music, country, and bubbly orch-pop to complement their alternately romantic and cynical lyrics.” |
| Q via Wikipedia | 4/5 | 80 | 2009 | |
| Mojo via Wikipedia | 4/5 | 80 | 2009 | |
| AllMusic via Wikipediaby Tim Sendra | 4/5 | 80 | ||
| Spin via Wikipediaby Lindsey Thomas | 7/10 | 70 | 2009 | |
| The Telegraph via Wikipediaby Andrew Perry | 3/5 | 60 | 2009 | |
| The A.V. Club via Wikipediaby Tara Bennett | B- | 59 | 2022 | “The A.V. Club digs deep into film, TV, music, games, books and more.” |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
My Maudlin Career in Camera Obscura's catalog
How these critics usually treat Camera Obscura
- AllMusic Harsher than usual5 points above the other critics here. Usually 19 points above on Camera Obscura's other albums (3).
More from Camera Obscura
← Earlier Let’s Get Out of This Country (2006)Later → Desire Lines (2013)
More Indie & Alternative from around 2009
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59) and averaged. A letter grade counts as the star rating it matches across thousands of reviews of the same albums, so a B+ is 75, like four stars, and a B is 65. Verdicts: Heavy Rotation is 85 and up, Keeper 70–84, Mixed Bag 55–69, Back of the Crate below 55. Approval is the share of critics who scored it 70 or higher (7/10, three and a half stars); the Breakdown shows green at 70 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







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