Critics give Howl a B-Side Breakdown of 77 (C+), from 10 reviews at outlets we track. Scores run 60 to 91.
The verdict on Howl
7 of 10 critics liked it. A mixed reception.
- Highest 91 Entertainment Weekly
- Lowest 60 Rolling Stone
- By the numbers The best-reviewed album of Black Rebel Motorcycle Club's career on B-Side Breakdowns, ahead of B.R.M.C. (75).
| The gist | ||||
|---|---|---|---|---|
| Entertainment Weekly via Wikipediaby Doug Brod | A- | 91 | 2005 | |
| Spin via Wikipediaby Zac Crain | B | 85 | 2005 | |
| Q via Wikipedia | 4/5 | 80 | 2005 | |
| Mojo via Wikipedia | 4/5 | 80 | 2005 | |
| The Guardian via Wikipediaby Adam Sweeting | 4/5 | 80 | 2005 | |
| AllMusic via Wikipediaby Tim Sendra | 4/5 | 80 | ||
| Los Angeles Times via Wikipediaby Mikel Jollett | 3/4 | 75 | 2005 | “Brad Paisley "Time Well Wasted" (Arista) * * 1/2 THIS West Virginian has been one of country music's bright lights in the new millennium, and halfway into a new decade,…” |
| Pitchfork via Wikipediaby Amanda Petrusich | 7.0/10 | 70 | 2005 | “One-time JAMC tribute act follows its disappointing second LP with a more Americana-influenced and assured release.” |
| NME via Wikipediaby Krissi Murison | 7/10 | 70 | 2005 | “There are lots of miserable bastards in the world and most of them are musicians. As consistently proven by the likes of Lou Reed, Van Morrison and Mark E Smith,…” |
| Rolling Stone via Wikipediaby Christian Hoard | 3/5 | 60 | 2005 |
Every Sunday: the week's new albums, scored by the critics. Plus our own reviews when we post them. Free, and one click to leave.
More from Black Rebel Motorcycle Club
← Earlier Take Them On, On Your Own (2003)Later → Baby 81 (2007)
More Rock from around 2005
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How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







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