Early reviews. Critics give The Only Place an early B-Side Breakdown of 63 (D), from 5 reviews so far. It will settle as more outlets weigh in.
The verdict on The Only Place
Critics split on this one: scores run from 40 (NME) to 81 (The A.V. Club).
- Highest 81 The A.V. Club
- Lowest 40 NME
- Career Tied for #3 of Best Coast's 4 albums with a Breakdown
| The gist | ||||
|---|---|---|---|---|
| The A.V. Club via Wikipediaby Evan Rytlewski | B- | 81 | 2012 | “Best Coast: The Only Place” |
| Spin via Wikipediaby Jon Young | 8/10 | 80 | 2012 | “8SPIN Rating: 8 of 10Release Date: May 15, 2012Label: Mexican SummerThe second Best Coast album opens with perhaps the biggest red herring in the history” |
| Pitchfork via Wikipediaby Mark Richardson | 6.2/10 | 62 | 2012 | “Best Coast's Jon Brion-produced second album finds the band leaning toward alt country and working in a more stripped-down mode, with Bethany Cosentino's voice front-and-center.” |
| AllMusic via Wikipediaby Tim Sendra | 2.5/5 | 50 | ||
| NME via Wikipedia | 4/10 | 40 | 2012 |
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The Only Place in Best Coast's catalog
How these critics usually treat Best Coast
- AllMusic Harsher than usual16 points below the other critics here. Usually 2 points below on Best Coast's other albums (3).
- Pitchfork About usual for them1 point below the other critics here. Usually 1 point above on Best Coast's other albums (3).
More from Best Coast
← Earlier Crazy for You (2010)Later → California Nights (2015)
More Indie & Alternative from around 2012
Would you spin it again?
Be the first to answer. Results show once 3 listeners weigh in.
How the Breakdown works
Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.
A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.







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