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The Borrowed Titles and Homemade Conjunctions of Kaz Murphy’s “Old Protest Records”
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Album Review: Grant Maloy Smith – WILD WEST: AMERICAN STORIES
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Hilary Cousins – “Fragments”: Medieval Visions Meet Deep Time
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Bear, Man Dangerous – “When We Cease to Understand the World”: Cosmic Collapse as Political Diagnosis
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Madeleine Rose Witney – “Shine”: Kentish Town Torch Singer Weaponizes Retro Glamour Against Modern Vulnerability
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Hilary Cousins – “Road To Corinth”
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Ginger Winn – “Socrates”: Philosophy Meets Homesickness in Unexpectedly Moving Indie Pop
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Ginger Winn – “Circling Squares”: Mathematical Romance and Geometric Wandering
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The Probies – “My Paradise”: Invitation to the Void
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CLENNON’s “Drowning”: Kingston to Toronto Queer Migration
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Cultural Memory: Juan Wauters’ “Manejando por Pando” Drives Through Time and Tradition
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John Pinetree & The Yellin’ Degenerates – “Highway 51” Review: Juneteenth Blues for American Contradictions
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