Babel

Mumford & Sons – Babel: B-Side Breakdown 63 (D) from 13 critic reviews.

Album cover for Babel by Mumford & Sons
Released September 13, 2012
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Mumford & Sons

Babel

63
B-Side BreakdownGrade D · 13 critics · 23% approval
B-Side Breakdown63Grade: D
Approval23%3 of 13 critics scored it 75 or higher
DivisivenessSome debateHow close the scores are: most critics land within 26 points of each other

Based on 13 reviews from outlets we track. Scores run 40 to 91.

By the numbers: Scores ran from 40 (Spin) to 91 (Entertainment Weekly).

020406080100Spin: 40Spectrum Culture: 50Slant: 50Q: 60The Guardian: 60The Independent: 60NME: 60AllMusic: 60PopMatters: 60Rolling Stone: 70Mojo: 80The A.V. Club: 81Entertainment Weekly: 91 Breakdown 63
The gist
Entertainment Weekly via Wikipedia A- 91
The A.V. Club via Wikipediaby Hayden Childs B- 81 2012
Mojo via Wikipedia 4/5 80 2012
Rolling Stone via Wikipediaby Will Hermes 3.5/5 70 2012 “Check out our album review of Artist's Babel on Rolling Stone.com.”
Q via Wikipedia 3/5 60 2012
The Guardian via Wikipediaby Maddy Costa 3/5 60 2012 “Mumford & Sons are vilified as often as praised, and their second album will do little to change that, reckons Maddy Costa”
The Independent via Wikipediaby Andy Gill 3/5 60 2012
NME via Wikipedia 6/10 60 2012 “Two-and-a-half million copies of debut ‘Sigh No More’ shifted in the States alone. A bigger festival draw than a reformed Smiths with Rolf Harris on didgeridoo. Their very own continent-hopping…”
AllMusic via Wikipedia 3/5 60
PopMatters 6/10 60 “Mumford & Sons' debut album, Sigh No More, sold millions of copies based on the strength of its two singles, "Little Lion Man" and "The Cave". All credit”
Spectrum Culture 2.5/5 50 “[xrr rating=2.5/5]Mumford & Sons follow in the strong tradition of Great Britain’s folk rock movement, offering a refreshing perspective that contrasts with today’s shallow pop and corporate rock. Like Fairport…”
Slant 2.5/5 50 “Much like Sigh No More before it, Babel is just too serious.”
Spin via Wikipediaby Chuck Eddy 4/10 40 2012 “4SPIN Rating: 4 of 10Release Date: September 25, 2012Label: Gentlemen of the Road/GlassnoteThe first album Marcus Mumford ever paid attention to, he has”

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How the Breakdown works

Every outlet’s score is converted to 0–100 (2/5 is 40, 5.9/10 is 59, a B+ is 88) and averaged. Grades follow the B-Side scale: A is 90–100, B 80–89, C 70–79, D 60–69, F below 60. Approval is the share of critics who scored it 75 or higher; the Breakdown shows green at 75 and up, red below. Divisiveness asks a different question: not how many critics liked it, but how close their scores are to each other. Five critics who all give it 50 are Unanimous, even though none of them liked it. The labels run Unanimous, Broad agreement, Some debate, Divided, and Contentious. Replay rate comes from listeners, not critics: yes counts fully, a few tracks counts half, no counts zero. The gist quotes each outlet’s own summary of its review. Published is the date on the review itself, read from the outlet’s page, so you can see whether an album’s reputation came at release or years later. Scores marked est. come from reviews that publish no number. Scores marked via Wikipedia are archive ratings, mostly for older albums, taken from the “Professional ratings” box on the album’s Wikipedia page (published openly through Wikidata); each links to the original review when we can find it online, and to that Wikipedia entry when we can’t. When an outlet reviewed an album twice, years apart (often for a reissue), both scores count, each labeled with its year.

A-Side marks the critics’ top tier. An album earns it automatically, from its numbers alone: a Breakdown of 90 or higher, from at least 5 reviews, with at least 75% approval. Nobody hands it out and nobody can buy it; if new reviews pull an album below the line, it loses the badge.

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