Caleb’s Mid-Week Mix Down featuring: Raccoon Lagoon, Jay Mi$FiT, Tree Bosier, Samia, and topographies

This is a grab bag of all of my favorite artists from the week to carry you through those Mid-week blues. No genres, no themes, nothing. I mean, I guess the theme is that I love these songs.

We try to group artists with similar artists, but the fact of the matter is that most music fans don’t solely like one genre. If you’re like me, there are very few genres that you don’t get into in some capacity. What I’ve found is that a lot of people cross paths with the same people in their musical taste. Seth and I have a lot of crossover, but one distinct difference right out of the gate is that Seth gets more into the folk scene, and I get way more experimental with what he likes. Some of what he listens to sounds like Elvish chants in the woods to me, and some of what I listen to probably sounds to him like what Michael Caine listened to  in Children of MenYou’ll probably start to notice a trend in these posts at some point. We have a lot of crossover, especially when it comes to hip-hop and emotive indie rock, but there’s a lot of music that Seth and I don’t necessarily agree on. We both know that objectively they’re good tracks, we just don’t subjectively like it as much as some other stuff. Without further ado, here are my favorite tracks of the week.

Raccoon Lagoon – “Action Figure Kid”

Image result for raccoon lagoon music

I’m always a huge fan of found footage style videos. It’s one of the easiest ways to give your budget music video a nostalgic and emotive feel to it. A lot of this video reminds me of being in my early 20s, hanging out with friends, drinking, and meandering around the city (not that I’ve necessarily stopped any of that haha). This song is the epitome of all the things I love about shoegaze. The vocals fade perfectly into the psychedelic pop melody and feels like…well…meandering around the city. We’ve featured Raccoon Lagoon on the blog before, and honestly I can’t get enough of him. I can’t wait to see what the future holds for this creative project.

Bio: Raccoon Lagoon is a solo project by Petya Bouianov; an Amsterdam based musician. The project was started in February 2018 with the vision that everything can be done by yourself. Raccoon Lagoon is influenced by Tame Impala’s Kevin Parker who does everything by himself as well. Other influences include Arctic Monkeys, Gorillaz and The Beatles. The idea is to mix vintage rock with contemporary sounds to create a unique vibe. Besides music Raccoon Lagoon focuses on design, album cover art and music video’s.

Jay Mi$FiT – “Young Nigga”

Let’s take a turn into hip-hop land. If you’ve paid attention to the hip-hop I tend to share, it’s usually got a throwback vibe to it, and this song is no different. He even acknowledges the ways he’s trying to bridge the gap between classic hip-hop and current trends when he says,

“God son

Maybe I’m Nas son

But influenced by Jay Z

So what does makes me

One of last living lyrical savior

maybe

Feeling like drake

Cause everybody wanna hate me.

Cause I got these lyrical bullets

Loaded on safety”

There’s really not much else to say, Jay is out to prove that people still care about a dope beat and a wordsmith, and I know this blogger does.

Bio: Jay Mi$FiT is an up and coming hip hop artist out of Detroit. He has a project called Lost Soul coming out July 18th.

Tree Bosier – “Postcard 2”

I told you this mix was eclectic today. This track is from a cool project called Postcard an EP that Tree Bosier released in 2018 under Loodma Recordings. Each track is a different musical “postcard” that creates an unmistakably unique vibe for each track. You can tell that Maxim, aka Tree Bosier knows his way around multiple instruments and genres. His Facebook page  describes the duality of Maxim, and Tree Bosier when it comes to the music:

“- Max Ananyev – these are pieces for classical guitar, mandolins recorded on digits and scores, as well as acoustic and traditional ambient.

– Tree Bosier – it’s electronic music, combining elements of dream pop, shoegaze and techno.”

The guitar work really stands out to me in this track that you might notice synths on first. This track will definitely be added to any summer playlist I have, because it’s excellent beach music.

Bio: Max Ananyev – musician & producer from Saint Petersburg, also known as Tree Bosier. 

Samia – “Milk”

Oh man. That voice. I feel like I could end the discussion there, but you know by now I won’t. “Milk” seems to be exploring the classic saying, “don’t cry over spilled milk.” Which is basically another way of saying, don’t sweat the small stuff. Granted, some of these lyrics seem to be focusing on things that most wouldn’t consider small stuff, like a mention of jumping off a pier in the first verse followed by, “you’re just lucky you’re tired and not dead.” One symbolic thing I like in the video is the use of white (like milk) throughout it, starting with the balloons, transitioning to the color of the bath water, etc. Also, if any of you are Father John Misty fans like me, check out this meta tune: https://open.spotify.com/track/3Ebt8wL9eYdYN3tYZeFC5G

But really, let’s end the way we started, oh man, that voice.

Bio: Her ballads recall the low-lit charm of Tobias Jesso Jr or the hushed immediacy of Phoebe Bridgers. Her rock songs rev and howl with the intensity of Mitski or Hop Along. But whether the volume is up or down, 21-year-old New York native Samia draws from the same well of sharp-witted lyricism as forebears old and new — from Liz Phair to Patti Smith to Josh Tillman.

topographies – “Pink Thoughts”

Now for the last but certainly not least category, this dope song from topographies. I guess I did go a little shoegaze heavy today; sue me, it’s summer. If any of you are familiar with the “shoegaze scene” especially in California, this is the band for you. Formed by Gray Tolhurst (Gray Tolhurst), Jeremie Ruest (Cerf Volant, Your Friend, Lavender Blush), Justin Oronos (Solip), and Lauren Grubb (Minipop, To The Wedding) in 2017, topographies is a amalgamation of shoe gaze/psych pop genius. As with most shoegaze, it takes a bit to discern the lyrics, but the artist says this has to do with the uncanny experience of talking to the deceased in dreams. And honestly that’s the thing I like most about the genre, I don’t really need to be able to understand every word to vibe with the emotive feeling of the song. Here’s a bonus for you guys, the music video for this excellent track, see you in fever dreams:

 

Bio: Formed by Gray Tolhurst (Gray Tolhurst), Jeremie Ruest (Cerf Volant, Your Friend, Lavender Blush), Justin Oronos (Solip), and Lauren Grubb (Minipop, To The Wedding) in 2017, the band meshes the crushingly loud guitars and hushed vocals of 90’s shoegaze with the urgency and mechanical rhythms of post-punk. Their debut EP was recorded and produced at New, Improved Recording in Oakland, California by Alexis Berthelot (Gojira, Wolfgang Tillmans, Enablers) in late 2017.

 

-Caleb

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Mid-Day Music Blast: Paintbox – “Honey”

Down EP by Paintbox

I’ve been so excited for this song for months now! Paintbox has such a unique sound that mixes so many of my favorite genres. The most obvious elements are folk in nature, but beneath that there is a subtle funk/soul vibe that drives the song from a nice singer/songwriter vibe to an epic ballad that pulls goosebumps up on your forearms. Let’s dive into some of the lyrics:

“I shuffled into town wonderin’ where to go
There is a home, I asked the man on the road he was praying to the Lord
He said if you go right there’ll be troubles you’ll find
Left will leave you just as sore, boy
Life is like lickin’ honey off a thorn
But

I heard its sweet, heard its sweet
Where the rivers do meet right before they reach the bend
And there’s a nice soft place to lay your head
You count your best, you count your worst,
But what is your comfort worth
To you when the truth is most everything it hurts”

 

Before I break the message down, I just want to say “life is like lickin’ honey off a thorn” is one of the best lines I’ve ever heard. It’s so succinct and relatable, perfect poetry. This song does a good job of analyzing the idea of comfort, how much of it is necessary, and if comfort even equals happiness at all. To me it seems that a lot of the times I’ve felt most alive have coincided with very little comfort: road trips, long hikes, foreign places. So maybe if you acknowledge that life is bumpy, whether you sit in the same place, or put yourself somewhere new, you can free yourself up to make the best of the time we do have here.

Bio: ​Paintbox is a Los Angeles based band that plays a unique combination of funk, folk, and soul. Formed in 2014 by singer Jake Dupre and guitarist Luca Brown, the band’s sound is a mixture of crafted songwriting and collective improvisation. Paintbox is currently writing for their second studio album, and playing shows around California.

– Caleb

Morning Commute: Gabriel Petra – Made of Stone

 

The hiatus is over! Expect to see lots of posts in the coming days/weeks, and we should be reopening submissions in July sometime. Let’s get this thing rolling again with one of my favorite tracks of the moment, “Made of Stone” by Gabriel Petra. As you know, we love to analyze lyrics around here, and this song does not disappoint in that department.

 

“What If I’m made of stone
What If my heart can’t feel
So If I’m destined to suffer
And nothing achieve

What if these ghosts will never die
What if I’m haunted for life
So if my words are not enough
To make a change

I got a feeling I will live another day
I got a feeling I will see another face”

 

I love how this track starts with a series of questions that many of us have probably encountered in our lower points, that awful feeling of being down and wondering if anything will every change. Instead of trying to solve this with some overly cheery message, the songwriter keeps it grounded in a simple, “I got a feeling I will live another day/ I got a feeling I will see another face.” That’s different than saying, everything is going to be perfect now, but it is a message that can allow one to keep going. Even in the rough times, if you can make it to one more day, one more interaction, there is still hope for a better future.

I also love the production on this song. It gives me a little bit of a stripped down early James Blake vibe, and really let’s the message of the song breathe through echoed reverb in that indie pop, middle of winter sort of way that I really never get tired of. I can’t wait to see what the future holds for Gabriel Petra. Go show him some love wherever you get your music.

Bio: Gabriel Petra a singer/songwriter based in Lisbon, he studied jazz and musical production, and been writing since then, for himself and for other projects.

He emerged from the unknown to the spotlight with his first single “Made of Stone”, an intimate ballad that carries an relevant message about battling your demons and overcoming pain.

Spotify : https://open.spotify.com/track/2jt32sLsnUOntg2AJJ4iBh?si=P_zl3Qy_RDC8Gacjx47ahQ

Apple Music: https://itunes.apple.com/pt/album/made-of-stone/1379833562?i=1379833821

Deezer: https://www.deezer.com/pt/album/62635282

Shazam: https://www.shazam.com/track/416380893/made-of-stone

Napster : https://pt.napster.com/artist/gabriel-petra/album/made-of-stone

Facebook: https://www.facebook.com/gabrielpetramusic/

Instagram: https://www.instagram.com/itsmegabrielpetra/

 

-Caleb

Monday Mix-down featuring: Dubby, Telescreens, The Escalator, and Awolk

This is a grab bag of all of my favorite artists from the week to carry you through those Monday blues. No genres, no themes, nothing. I mean, I guess the theme is that I love these songs.

We try to group artists with similar artists, but the fact of the matter is that most music fans don’t solely like one genre. If you’re like me, there are very few genres that you don’t get into in some capacity. What I’ve found is that a lot of people cross paths with the same people in their musical taste. Seth and I have a lot of crossover, but one distinct difference right out of the gate is that Seth gets more into the folk scene, and I get way more experimental with what he likes. Some of what he listens to sounds like Elvish chants in the woods to me, and some of what I listen to probably sounds to him like what Michael Caine listened to  in Children of MenYou’ll probably start to notice a trend in these posts at some point. We have a lot of crossover, especially when it comes to hip-hop and emotive indie rock, but there’s a lot of music that Seth and I don’t necessarily agree on. We both know that objectively they’re good tracks, we just don’t subjectively like it as much as some other stuff. Without further ado, here are my favorite tracks of the week.

Dubby – “Gelati Kong ft. King Los”

Image result for dubby gelati kong

I had never heard the plural of “gelato” before this, and I’m not entirely sure what Gelati Kong would imply, but this song is so smooth. The beat is a classic throwback hip-hop beat, mixed with some trap elements that make it feel modern. I know that this song will find it’s way onto all my summer playlists.

 

Bio: If you enjoy the sound of this south central Pennsylvania artist, be sure to check him out on Facebook, Instagram and Twitter at @Dubbygotbars! Be on the lookout for his second album entitled “TOWN” which was re-released on 10/13/18. Visit http://www.dubbygotbars.com for free music, merch and behind the scenes footage

 

Telescreens – “Poison”

Image may contain: 3 people, people playing musical instruments, people on stage and people sitting

I adore this song. The guitar line is so smooth, and has a nice genre-mix to it that makes me feel like a lazy summer day. It’s not necessarily a happy summer day, but it’s not overly depressing either. It seems to be pondering a person that is “poisonous”. The difficult thing of course is that poison is usually hidden until it starts effecting you negatively, and the damage is already done. I can’t wait for them to release more music! In the meantime, do like me and put this one on repeat all summer long.

 

The Escalator – “The Cathedral”

Found my way to St Patrick’s Cathedral
Took a seat by the alter and I cried
All alone, starring up at the ceiling
Closed my eyes
Asked God why?
Violence is normal
Why violence is normal
All through the night

What a haunting way to end a song. This song was actually sent to us a long time ago, and it’s just sort of happenstance that this is posted a week after the events in New Zealand. Of course, unfortunately, we are never too far from an act of violence in the news at any given time, but I definitely think this song hit me harder than usual this morning. The lyrics themselves would be haunting enough, but then you combine that with the soulful vocals, and it really starts to raise the hair on your arms. I think it’s fitting that this album was created to “create a cathartic experience for people visiting Trump Tower,” and hope that more people get to feel that catharsis after hearing this today.

Bio: The Escalator is a protest album featuring Grammy award winning bandleader, Steven Bernstein, vocalists Amy Leon, Trixie Whitley and many more. The album is an audio walking tour with a total playtime lasting the duration of time it takes to walk from the top of the escalator at Trump Tower, then down the street to St Patrick’s Cathedral in New York York City.

Awolk – “Open Doors”

Image result for awolk

I get some real Ben Howard vibes from this song, and seeing as how Ben Howard is one of my favorite artists, it’s pretty easy to see why this song makes my list of favorites. Another thing I really love about this song is just how positive it’s messaging is. As someone who struggles with overcoming fear/anxiety, I really needed this message of finding the open door and walking through it.

Fear is far too close
Fear will choke your growth
Fear don’t break down doors 

I think a lot of us could use this message today. Spring is starting all over the U.S. (albeit slower than I wish it was). It’s time for a new beginning.

Bio: Awolk is an alternative folk-rock singer-songwriter from Nova Scotia, Canada. For almost 10 years he has been playing under various stage names and bands.

Awolk recently released his debut full length record, available on Spotify, iTunes, Apple Music, and Bandcamp. Self titled, the album is a weighty and eclectic list of tracks, covering his lyrical and melodic thoughts, developing over the last few years.

His alternative style, blends melody focused songs with modern acoustic and electric soundscapes. Awolk used to be known by his birth name, Jesse Thomas, releasing 2 EPs and 2 single recordings under that name. In 2017, he diverged into his new stage name.

  • Caleb

Video of the Day: Alex Bloom – “Elevator”

Image result for alex bloom music

Reminds me of: Ben Howard mixed with The Beatles and Radiohead

If you watched the video, I feel like this is already pretty clear, but let’s check out what the artist said about this excellent tune:

“I wrote a song about the existential elevator ride of life. I think it’s something everyone thinks about all the time. My creative inspiration came from this little white Casio keyboard with preset beats that I set to ‘Rock’. Then I started with this guitar riff and immediately noticed the shape and movement of the chord I used, kind of looked like an elevator.” – Alex Bloom

And what an existential elevator ride it is. From the lyrics, it seems to suggest that a lot of that ride points downward (although the end of the video finds our elevator in ethereal space). I think this metaphor is an excellent way to describe the existential dread that comes with post-modern existence. A lot of us know/believe there is no purpose to any of this, but most of us think it is important to create our own meaning regardless. It is an unwinnable game that each of us has to decide whether or not to play. I think that this song suggests that even though it’s hopeless, that doesn’t necessarily mean the game isn’t worth playing. If you can fully accept that there is no inherent purpose, that can be depressing, but it can also be freeing. This can be seen most clearly in this section:

“I don’t believe
I don’t believe
let me cheer you up
let me offer
let me take a sponge
to your human condition now I’ll boil down
all your suffering to an
elevator ride
no one will survive terminal speed Hades receive me
you can be afraid
of all your sins
you can’t see yourself breakin mirrors
climbing through the shaft see what’s coming
elevator ride
no one will survive terminal speed Hades receive me
I don’t wanna cheat it
I don’t wanna cheat it
there’s no way to beat it that’s the way I want it”

If you fully accept reality for what it is (or as close as we can get to perceiving what it is), then you can perhaps live a better personal existence, even if no one is watching over you.

One more thing I wanted to mention about the video, is how cool the blurred effect is. I have (under control) DPDR. If you don’t know what that is, it’s a shorthand for Depersonalization and Derealization. This video gets very close to explaining how I feel when I go through DPDR episodes (which is a pretty difficult thing to explain fully). It fits along nicely with the existential lyrics, and atmospheric vocals. I’m not suggesting that the video was trying to explain DPDR or anything, but I just found it comforting in a strange sort of way from a personal angle.

Bio: His 2017 “One More Shot” song became a “quiet” YouTube hit with over 2 million cumulative streams and his debut album Blue Room already has over 450,000 plays on Spotify.

Earlier this year, in the midst of working on his new material, Bloom’s song “Evanesce” was featured in the Netflix Original movie “The Open House.” An exciting moment for an indie artist who runs his own label…

Alex has received early critical praise for his songwriting and complex vocal arrangements.

“Elevator” is just a foreshadow of the rest of Bloom’s new material (sophomore album) set for release in 2019.

 

-Caleb

Video of the Day: Tender Glue – “Rudy”

Image result for tender glue

I have a really chill song for you guys to check out this morning. Before we get into the song itself, I really like the vibe of this video. There’s nothing overly complicated going on. It’s mainly just quick shots of various things, and an occasional video of the guitarist playing the song in a shadowy room, but the bright colors and strange effects keep me glued to it, and it fits so well with the music and vibe of the song in general. If you guys are trying to make a good video on a budget, take notes. Now, let’s dive into the song itself a little bit, listen to it again here if you want, to give my guy some Spotify plays:

 

“And if I go
Roll one for me
Cigarettes you used to smoke
Hope you will quit
And if I die
Bury me so deep under all our lies
Hope you will quit”

I love the sentiment to the chorus here. There is this awesome dissonance of wanting what’s best for someone, and accepting them as they are. He wants this person to remember him when he’s gone, and remember him in the way that they feel comfortable, even if he’d rather the person quit smoking and be healthy. It’s really a beautifully melancholic sentiment.

Don’t just take my word for interpretations though, let’s check out the artist’s idea about his creation: “‘Rudy’ was written about 6 years ago and was inspired by a girl I met once. I had chords and a melody written beforehand and the words came quickly to me. This girl had shown me how she rolls her cigarettes, which was inspiration for the lyrics “And if I go ; Roll one for me; Cigarettes you used to smoke; Hope you will quit”. Although some of the lyrics were based on real scenarios, the whole idea of the song is more of an imagination. I took some of the details of this brief non-intimate meeting and created a story.”

I love the idea of these random encounters allowing us to create an entire universe of art, a relationship that never actually happened, and yet, I, as the listener, feel the same emotions regardless of how real or not it was. Really incredible.

Bio: Tender Glue (noun): Not a person. Not a band. Music made by an urge to create.

Tender Glue is made up of Tom Gluewicki, who was originally born and raised in Poland and later moved to New York in 2002. He explains his first encounter with playing music when he was twelve years-old after he had fixed a broken guitar that his brother brought home. You can learn more about his story in the “ABOUT” section of his website.

On September 25th, 2015, Tender Glue released his debut EP titled, “Wait For Steady Light”. After several years of creating original music, this album is a culmination of raw recordings, composed with minimal equipment, using the resources Tom had in his home. Full length album “Steady Light”, which was a continuation of the EP, was released year later on August 26th, 2016.

The latest album titled “Closet Leftovers”, was released on September 28th, 2018 on Tom’s record label called Don’t Label Me Records. The first four singles from the album were released between February to June of 2018. “Closet Leftovers” was recorded and produced by Tom in his studio apartment closet after he moved from Brooklyn to Manhattan more than a year ago.

-Caleb

Morning Commute: Small Words – “Darling”

Good morning B-Side Back Massagers (idk man, I’m running out of alliterative ideas). I have a really great indie/pop-punk style track from Small Words to share with you this morning. This song reminds me of the best parts of my late teens/early 20s. It captures the angst, the newly found freedom, and the cautious hope that I sometimes get nostalgia for now that I’m pushing 30. Let’s dive into the first verse and chorus:

“Darling, I am calling.
I’m locked outside
With someone else,
A fragment of my former self.
So darling, could you save me?
I’m not the type to ask for help,
But if you could I’ve never felt this way.
Lets get away.
I’m far too drunk to drive,
Do you think you could??
We took the back road
singing ladadadada”

  1. I appreciate this song advocating for not driving drunk.
  2. On a serious note, these lyrics perfectly capture that youth I was talking about before. Drunk, figuring out who you are, singing on back roads with friends (or more than friends), it’s really a beautiful nostalgic picture.

If you are looking for more from Small Words, this song is from an EP called For What It’s Worthless which you can find here: For What It’s Worthless.

 

Bio: Small Words is an energetic Indie-Rock band out of Indianapolis, IN.

With 2016’s “For What It’s Worthless” EP, the 5-piece quickly began making a name for themselves in the music scene.

Drawing influence from a myriad of genres, the band keeps the audience on their toes, and glued to their performance.

2019 will see the release of their new record, “Good Day, Bad Me”, recorded at The Lumberyard in Hammonton, NJ. (Produced, and mixed by Ace Enders, and Nik Bruzzese)

The album explores the struggles of addiction, grief, depression, and accepting one’s own mortality without spoon feeding you “it’s gonna be okay”’s. In these trying times we need to know that it’s okay to struggle, and no one needs to fight their demons alone.

 

– Caleb