Caleb’s Mid-Week Mix Down featuring: Raccoon Lagoon, Jay Mi$FiT, Tree Bosier, Samia, and topographies

This is a grab bag of all of my favorite artists from the week to carry you through those Mid-week blues. No genres, no themes, nothing. I mean, I guess the theme is that I love these songs.

We try to group artists with similar artists, but the fact of the matter is that most music fans don’t solely like one genre. If you’re like me, there are very few genres that you don’t get into in some capacity. What I’ve found is that a lot of people cross paths with the same people in their musical taste. Seth and I have a lot of crossover, but one distinct difference right out of the gate is that Seth gets more into the folk scene, and I get way more experimental with what he likes. Some of what he listens to sounds like Elvish chants in the woods to me, and some of what I listen to probably sounds to him like what Michael Caine listened to  in Children of MenYou’ll probably start to notice a trend in these posts at some point. We have a lot of crossover, especially when it comes to hip-hop and emotive indie rock, but there’s a lot of music that Seth and I don’t necessarily agree on. We both know that objectively they’re good tracks, we just don’t subjectively like it as much as some other stuff. Without further ado, here are my favorite tracks of the week.

Raccoon Lagoon – “Action Figure Kid”

Image result for raccoon lagoon music

I’m always a huge fan of found footage style videos. It’s one of the easiest ways to give your budget music video a nostalgic and emotive feel to it. A lot of this video reminds me of being in my early 20s, hanging out with friends, drinking, and meandering around the city (not that I’ve necessarily stopped any of that haha). This song is the epitome of all the things I love about shoegaze. The vocals fade perfectly into the psychedelic pop melody and feels like…well…meandering around the city. We’ve featured Raccoon Lagoon on the blog before, and honestly I can’t get enough of him. I can’t wait to see what the future holds for this creative project.

Bio: Raccoon Lagoon is a solo project by Petya Bouianov; an Amsterdam based musician. The project was started in February 2018 with the vision that everything can be done by yourself. Raccoon Lagoon is influenced by Tame Impala’s Kevin Parker who does everything by himself as well. Other influences include Arctic Monkeys, Gorillaz and The Beatles. The idea is to mix vintage rock with contemporary sounds to create a unique vibe. Besides music Raccoon Lagoon focuses on design, album cover art and music video’s.

Jay Mi$FiT – “Young Nigga”

Let’s take a turn into hip-hop land. If you’ve paid attention to the hip-hop I tend to share, it’s usually got a throwback vibe to it, and this song is no different. He even acknowledges the ways he’s trying to bridge the gap between classic hip-hop and current trends when he says,

“God son

Maybe I’m Nas son

But influenced by Jay Z

So what does makes me

One of last living lyrical savior

maybe

Feeling like drake

Cause everybody wanna hate me.

Cause I got these lyrical bullets

Loaded on safety”

There’s really not much else to say, Jay is out to prove that people still care about a dope beat and a wordsmith, and I know this blogger does.

Bio: Jay Mi$FiT is an up and coming hip hop artist out of Detroit. He has a project called Lost Soul coming out July 18th.

Tree Bosier – “Postcard 2”

I told you this mix was eclectic today. This track is from a cool project called Postcard an EP that Tree Bosier released in 2018 under Loodma Recordings. Each track is a different musical “postcard” that creates an unmistakably unique vibe for each track. You can tell that Maxim, aka Tree Bosier knows his way around multiple instruments and genres. His Facebook page  describes the duality of Maxim, and Tree Bosier when it comes to the music:

“- Max Ananyev – these are pieces for classical guitar, mandolins recorded on digits and scores, as well as acoustic and traditional ambient.

– Tree Bosier – it’s electronic music, combining elements of dream pop, shoegaze and techno.”

The guitar work really stands out to me in this track that you might notice synths on first. This track will definitely be added to any summer playlist I have, because it’s excellent beach music.

Bio: Max Ananyev – musician & producer from Saint Petersburg, also known as Tree Bosier. 

Samia – “Milk”

Oh man. That voice. I feel like I could end the discussion there, but you know by now I won’t. “Milk” seems to be exploring the classic saying, “don’t cry over spilled milk.” Which is basically another way of saying, don’t sweat the small stuff. Granted, some of these lyrics seem to be focusing on things that most wouldn’t consider small stuff, like a mention of jumping off a pier in the first verse followed by, “you’re just lucky you’re tired and not dead.” One symbolic thing I like in the video is the use of white (like milk) throughout it, starting with the balloons, transitioning to the color of the bath water, etc. Also, if any of you are Father John Misty fans like me, check out this meta tune: https://open.spotify.com/track/3Ebt8wL9eYdYN3tYZeFC5G

But really, let’s end the way we started, oh man, that voice.

Bio: Her ballads recall the low-lit charm of Tobias Jesso Jr or the hushed immediacy of Phoebe Bridgers. Her rock songs rev and howl with the intensity of Mitski or Hop Along. But whether the volume is up or down, 21-year-old New York native Samia draws from the same well of sharp-witted lyricism as forebears old and new — from Liz Phair to Patti Smith to Josh Tillman.

topographies – “Pink Thoughts”

Now for the last but certainly not least category, this dope song from topographies. I guess I did go a little shoegaze heavy today; sue me, it’s summer. If any of you are familiar with the “shoegaze scene” especially in California, this is the band for you. Formed by Gray Tolhurst (Gray Tolhurst), Jeremie Ruest (Cerf Volant, Your Friend, Lavender Blush), Justin Oronos (Solip), and Lauren Grubb (Minipop, To The Wedding) in 2017, topographies is a amalgamation of shoe gaze/psych pop genius. As with most shoegaze, it takes a bit to discern the lyrics, but the artist says this has to do with the uncanny experience of talking to the deceased in dreams. And honestly that’s the thing I like most about the genre, I don’t really need to be able to understand every word to vibe with the emotive feeling of the song. Here’s a bonus for you guys, the music video for this excellent track, see you in fever dreams:

 

Bio: Formed by Gray Tolhurst (Gray Tolhurst), Jeremie Ruest (Cerf Volant, Your Friend, Lavender Blush), Justin Oronos (Solip), and Lauren Grubb (Minipop, To The Wedding) in 2017, the band meshes the crushingly loud guitars and hushed vocals of 90’s shoegaze with the urgency and mechanical rhythms of post-punk. Their debut EP was recorded and produced at New, Improved Recording in Oakland, California by Alexis Berthelot (Gojira, Wolfgang Tillmans, Enablers) in late 2017.

 

-Caleb

The Flock: Indie Rock – Raccoon Lagoon, State of Nature, The Color Forty Nine, Werwe, Houston Heard, FINE POINTS

*This first paragraph is a copy of a previously written synopsis of the point behind the new section, The Flock.*

We have two goals here with our blog and our podcast; we want to help you find a bunch of new artists that you love, and we also want to support those artists. We came up with a new idea for a post where we take a genre, and give you a few artists within that genre. That way, it helps everyone. If you come here because you love one artist, you’ve got five more that you’re probably going to love now. That helps you load up your playlist with tracks that will impress your friends, and it also helps the artists hit untapped markets and possibly network with likeminded artists they didn’t know existed. Without further ado, I present “The Flock.”

ARTISTS LOOK HERE: Caleb and I have started a Facebook group that we want to turn into a place for artists from around the country to find likeminded bands to fill shows out, find shows, and really just a community made by artists to talk about the industry. If you’re interested in joining that, CLICK HERE.

Raccoon Lagoon – “Tomorrowism”

Starting out this edition of The Flock, we figured we’d show you guys something a little different than what you usually see here. We love psych rock, but not a lot of great psych rock really rolls across our table. I’m not sure why, but those are the facts. Enter: Raccoon Lagoon. The video plays around with one picture for the duration of the song, and it never gets old. With gritty guitar and ethereal keys, Raccoon Lagoon has created a track/video that serves a very specific and trippy purpose.

State of Nature – “Someday Afternoon”

No strangers to the blog, State of Nature hits yet again with a genre bending track that melds funk and indie rock. With funky licks and smooth vocals, State of Nature takes a look at the casual relationship.

You think it’s going to be another love song with the opening line, “I love the way that you can bend and wrap around me much better than my clothes could ever do,” but then it dives into how alcohol influences their decision to meet up and the need to keep an emotional distance. Side note: That opening line is one of the coolest I’ve heard in a while. The lyrics are on point, but the vocal inflection on the word do speaks to the nature of the relationship: playful and definitely sultry. We are only becoming bigger fans of the indie rock band, and they land home with another great song for us.

The Color Forty Nine – “Storyteller”

I’ve watched this video so many times now. I still don’t really know where to start because I’m just so enamored by it. The music itself gives me a lot of different vibes, but the strongest one is probably My Morning Jacket. That said, I truly think this is difficult to classify in a good way, in a this is truly unique sort of way. Before we get to the actual video, let’s dive a bit into the lyrics:

“Ooh, but I have something to say
Feel like something is on the way

Your house of worship has locked the doors
Though many came here, there’s many more
were turned away

Oooh, but I had something to say
Oooh, we’re not worth it in any way

Storyteller, on the fence
Won’t you tell us
How it ends ”

Now these lyrics are very ambiguous. I would say due to the church reference, and the subject of the video itself, there seems to be both a critique of religious people today, and also a question to the Storyteller, who in this scenario could be God, or someone speaking “for God” asking what’s next? How does this all end? There seems to be a definite feeling from the speaker in the song that part of the story seems to be getting lost, or blocked.

Now I definitely want to hear some interpretations from you guys on the video. I see a man getting made up, at first I think in some sort of drag, but then it seems like that’s not quite it. He goes to a closet where he types on a typewriter, which works into the story feeling blocked or hidden trope from before. Then he gets presented on a stage, sings some more, and dances. I think all of that still fits into the questions I asked before, but I also think there’s maybe some sort of meditation on what it takes to get a message out going on here. Can an artist just dress normal and sing his heart out and be heard? Or does he need to be made up, with elaborate backdrops? 20 years ago, you could still presumably just be a good songwriter and rise to the top. Now? I like to think that’s still true, but it seems more and more there has to be an elaborate gimmick to go along with it. Maybe this song is talking about all the storytellers who never get an audience because of shallow reasons? I don’t know. I’ll continue to watch this video many more times into the future. It isn’t an immediate answer, and, I’m so thankful it’s not.

Werwe – “Different Tune”

Ah man guys. How good is this song? This song kind of gives me a mix of Jimmy Eat World and Modest Mouse. I also really dig the lyrics of this song. It seems to be calling up these nostalgic images, which is pretty normal, but then he kind of shows off how he’s different from back then, and he’s going to do his own thing. This works perfectly into his bio:

“Different Tune” is the first single from Werwe’s upcoming Birthday EP to be released on June 19th 2018.

On his new project, Philadelphia based singer-songwriter Steven Martinho set out to create the music he’s always wanted to make – skillfully crafted pop that remains unpretentious and fun.”

So, I never heard what he was creating before, but I’m glad he’s making the music he wants to make, because I’m really connecting with it.

Houston Heard – “My Divine (a little demo guy)”

As mentioned in the title, this is more of a demo than a fully polished album track like some of the others, but his voice shines through excellently anyway. He says he wrote this song about someone in your life who kind of sucks, but you always kind of root for them. Let’s dive into some of the lyrics:

“Would it kill to take some time for what I say, that’s okay
It’ll go in one ear and out the other anyway

My divine
Your kindness will come in time”

I don’t know about you guys but this sort of relationship is one of the most painful many of us will ever experience. It can get increasingly infuriating when you try to give them advice, that they don’t take. It takes a really patient person to stick with them after the first 5 or so times of being ignored. I know I’m not that patient.

FINE POINTS – “Ready and Able”

This song just jumped off the page at us. Or jumped out of the speakers, or whatever you want to call it. This song features Hannah Moriah with absolutely beautiful harmonies. It is the second single off their upcoming album Take Shape, out July 13, 2018 on Dine Alone Records. Their genre is technically described as “Narco Pop” and they’ve landed tours with many in the genre, including: White Fence, The Warlocks, and the Fresh and Only’s. I didn’t really know much about the genre, but apparently it is primary stories set around drugs and drug smugglers, and was originally a primarily Mexican genre? That’s from a quick google search, so it could be wrong. All I know is I love how smooth the vocals work in this song, and it gives me some vibes from a lot of classic rock, with modern indie vibes. I’m pretty much always sold when a rotation of vocals and callbacks can work together and the best play to find that in this song is around 3:00 min mark until the end. If you are on the west coast, don’t miss them in July:

Performance Dates:

July 17 – Olympia, WA  @ Le Voyeur Cafe

July 18 – Seattle, WA  @ Sunset Tavern

July 19 – Portland, OR  @ White Owl Social Club

July 20 – Berkeley, CA  @ The Starry Plough

July 21 – Visalia, CA  @ Cellar Door

July 22 – Los Angeles, CA  @ HiHat

 

-Caleb and Seth

Did you know we do a podcast? It’s true. You can check out the latest episode here.